My friends and I often talk about how our religious and activist identities interconnect when, at times, they seem to be at odds. I've been thinking about this while reading some of the essays in a provocative new anthology entitled Righteous Indignation: A Jewish Call for Justice.
Lately I’ve had bras on the brain. Having recently weaned my twins (and here I’m referring to actual babies, not euphemistically to my breasts themselves), I’m gearing up for one of the milestone moments in a mother’s life: buying new, regular, non-nursing bras. So I’ve been thinking about what bras mean in the life of a Jewish woman.
I watched the coverage of the New Hampshire primary last night, and in the wake of the Obama hype, meshed with harsh criticism and suspicion (unwarranted, in my opinion) about Hillary's display of emotion (a.k.a. humanness!) at a coffee shop in Portsmouth, I was impressed by -- and excited for -- Hillary's win.
Anyone who was charmed by Jennifer Grey in Dirty Dancing and Ferris Bueller's Day Off could not help but mourn the loss of Jennifer's face after her nose job, (and other facial re-constructions). What Grey thought to be "enhancements" only resulted in dried up acting gigs and disenchanted fans.
On Saturday night, I saw Judy Gold's one-woman show 25 Questions for a Jewish Mother.
The title of her show was inspired by her quest, in partnership with playwright Kate Moira Ryan, to interview more than 50 Jewish mothers around the country, of different ages and Jewish backgrounds.
On my seven hour drive back to Boston on Christmas Day, I was listening to a piece on "Talk of the Nation" about the long-standing tradition of Jews eating Chinese food on Christmas.
There has been a recent flurry of attention to the issue of boys’ (and men’s) flagging participation in Jewish life, particularly in the synagogue -- some going so far as to call this a crisis.
Who knew that "Hava Nagila" could be "sexy" ... or "racy"...? Lauren Rose (formerly Lauren Goldberg), a Jewess from the UK, has given this familiar (and perhaps tiresome) traditional Hebrew folk song a somewhat dirty, teeny-bopper twist.
Last week, Jewish Women International hosted their 2007 "Women to Watch" awards, described as "a celebration of extraordinary Jewish women and their impact on art, culture, and community; business, politics, and media; family, science, and spirituality."
Ever seen women with headscarves doing Vaudeville? Last week's Forward featured an article about Atara, an association of Torah observant artists whose new mission is to bring Orthodox female artists and performers together to nurture their creative expression -- be it through theatre, music, art, spoken word, etc. -- within a halachic framework.
Today I'm celebrating the 35th birthday of one of my favorite childhood albums, "Free to Be You and Me." I've always loved this collection of songs and stories that envision a non-sexist world. As a young adult, I was proud to learn that Jewish feminist Letty Cottin Pogrebin was the editorial consultant for the album, book, and tv special (and the author of "Stories for Free Children" which I also loved). Lately I've had the happy opportunity to appreciate "Free to Be You and Me" a second time around, now as a mom. It's fun to hear the voices of Marlo Thomas, Diana Ross, Harry Belafonte, Alan Alda, and Mel Brooks - it's like visiting with old friends.
In yesterday's Style section of the New York Times, there was a very short article with a mention of Sarah Silverman's "sedulously cultivated Jewish homegirl style." Now, I don't usually read the Style section, nor do I have a vested interest in Sarah Silverman, but this chic-sounding phrase - without a qualifying description -- had me a bit perplexed. So I needed to inquire: what exactly is a Jewish homegirl style? And how does one "sedulously cultivate" it?
Yesterday I finally got to see Making Trouble, the film produced by the Jewish Women's Archive, on the big screen. After sold-out shows at film festivals around the country (plus Jerusalem!), Making Trouble made its Boston premiere as part of the Boston Jewish Film Festival. Though I've seen the film several times, and in various versions, it was exciting to see it in a theater, with a big audience.
On Tuesday evening, I attended a reading (co-sponsored by the Jewish Women’s Archive) by scholar/writer/activist Melanie Kaye/Kantrowitz from her new book The Colors of Jews: Racial Politics and Radical Diasporism. There’s a lot in this book—too much to discuss in one blog entry. In sum, it examines historical and contemporary views on Jews and whiteness and the complexities of African/Jewish relations.
Last week, Newsweek ran an article titled From Barricades to Blogs, asking about the state of feminism in the 21st century. The article treads familiar (to my mind, tired) ground, questioning whether young women are taking up the torch of feminism, or whether they (we) are letting the flame die.
I just returned from the Jewish Outreach Institute’s annual conference called Opening the Tent: Visions and Practices for a More Inclusive Jewish Community. It was an interesting conference that explored practices for welcoming interfaith families, non-Jewish partners of Jews, Jews-by-Choice, and, generally speaking, all whom are “unaffiliated”—including Jews perceived to be “on the margins” (i.e. Jews of Color and GLBT-identified Jews)—into the established community.
The 2007 Nobel Prize laureates in Physics were announced this week—Albert Fert from France and Peter Gruenberg from Germany, both credited for the first successful applications of “nanotechnology” to radically reduce the size while radically increasing the storage of computer hard-drives. With their impressive credentials, Fert and Gruenberg seem to fit the mold for this award in a profession in which male + Ph.D is a likely pairing. But following the announcement, I was pleasantly reminded of chemist Gertrude Elion, a 1988 Nobel Prize recipient, who most certainly did not fit this mold, and who didn’t think much of it: “Women in chemistry and physics? There’s nothing strange about that.”
With the exception of Yom Kippur, the past few weeks, for many of us in the Jewish community, have been bountifully full of food. I’ve been happily partaking in pumpkin bread/pumpkin muffin production (baking three loaves, and two tins of twelve muffins over the course of two days) and enjoying my friends’ seasonal culinary creations on a chilly evening in their sukkah.
Sukkot is my favorite Jewish holiday. I like a good harvest bounty; I like that I can share meals with friends not in my kitchen; I like that I can eat while meditating on stars peeking through a canopy of colorful paper chains, laquered gourds, and chili pepper lights (which always adorned my family’s sukkah). In preparation for Sukkot (just a few hours away!), I've been thinking about other, more provocative, sukkah decor that might be inside the sukkot in which I eat.
It’s a thrill for me to see artist Joan Snyder listed among this year’s recipients of MacArthur fellowships, the “genius grants” that honor and advance the work of exceptionally creative thinkers and doers. Joan Snyder greets me each morning as I begin work. A copy of her print, “Our Foremothers,” occupies the wall opposite my desk. A collage of names of all the women in the Bible as well as women in her own family, the print is a visual metaphor for our work at the Jewish Women’s Archive.
With the flowering of autumn Jewish holidays consuming our attention, it’s unlikely that many of us have tuned into September as National Ovarian Cancer Awareness Month. I wasn’t aware of it either until I listened to NPR yesterday for the first time in several days. Ovarian cancer—often called the “silent killer”—seems to garner less attention than breast cancer whose awareness month is assigned to October, awash with pink ribbons, walks, fundraisers, and other benefits.
As we prepare to herald the new year and celebrate the creation of the world, I thought I’d call your attention to JWA’s new edition of our educational resource, Go & Learn. This edition focuses on the midrashic figure of Lilith -- the first woman, imagined by the rabbis as a demon -- and Judith Plaskow’s early feminist reclaiming of her as a woman who demanded equality.
How to cite this page
Jewish Women's Archive. "Blog." (Viewed on December 19, 2014) <http://jwa.org/blog>.