Tara Metal combines her love of writing and editing with her passion for history and storytelling in her role as Director of Engagement and Social Media at the Jewish Women’s Archive. Tara is also the editor of a local literary journal and an online art magazine. Write to her at firstname.lastname@example.org.
This year, photographer and Catskills native Marisa Scheinfeld mounted her first museum exhibit, “Echoes of the Borscht Belt.” We spoke to Marisa about her haunting photographs, what drew her to the ruins of the famed Jewish play land, and why the Catskills are so important to Jewish American culture. Don’t miss Part I of JWA’s interview with Marisa!
This year, photographer and Catskills native Marisa Scheinfeld mounted her first museum exhibit, “Echoes of the Borscht Belt.” We spoke to Marisa about her haunting photographs, what drew her to the ruins of the famed Jewish play land, and why the Catskills are so important to Jewish American culture.
Welcome to the JWA Book Club! We are excited to gather today to discuss Tova Mirvis's novel, Visible City.
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I feel a certain amount of discomfort in posting on JWA’s blog the glowing, cheerful recipes so common this time of year. As a Jewish organization that focuses on women’s history and feminism, what does it mean to fill our blog with recipes for baked goods and brisket? Though we boast an increasingly robust number of male readers, JWA reaches mainly women. Do I want to bombard them with tips for cooking for a large family during the holidays? No, not really.
Since the return of Rachel Menken in Season 7, JWA's Judith Rosenbaum and Tara Metal have been having a blast writing about Mad Men on the blog. After Sunday's series finale (sob!) they had one last chat about Don's legacy, Peggy's love life, and Joan's feminism.
Every woman in my family has been on a diet for as long as I can remember. Some of my earliest memories are of family parties: everyone surrounded by lovingly prepared dishes, saying “oh god, I shouldn’t eat this” and “I’m not eating carbs right now” as they piled their plates with lasagna and bread. That was the deal: diets weren’t really adhered to, but they were talked about incessantly.
The struggle between career and family is one that women have wrestled with for decades, and there seem to be no easy solutions on the horizon. Work vs. home. “Office wives” and romantic partners. Kids or promotions. The battles rage on, illuminated by think pieces and parsed by university studies, but the essential question of what is most worthwhile and meaningful in life remains unanswered.
UGH. I enjoyed only one scene in this episode, and it was Don’s visit to the Francis household. Betty looked glorious in her ultra-feminine housewife drag, and I appreciated the moment when Don looked back at Betty, Henry, and his two sons, clearly farklempt about the nuclear family he could have had.
So why is it that Rachel so strongly resonated with audiences, and what’s the significance of her reappearance and death? Sure Rachel was beautiful, but so are all of Don’s women. She was a career woman, like Dr. Faye and Bobbie Barrett—nothing too unique there. She was Jewish, but so was Roger Sterling’s second wife, Jane.
How to cite this page
Jewish Women's Archive. "Tara Metal." (Viewed on August 1, 2015) <http://jwa.org/blog/author/tara-metal>.