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Performing Arts

Why I Write

Two driving forces in my life are creativity and passion. These qualities have always gone hand in hand. As I have grown through the years, my love for writing and my passion for activism have blended into one tremendous, creative, passionate, one-act play.

Cool Girls Club

When I was nine, I idolized Hermione Granger. I had just finished the Harry Potter series, and I was convinced that she was everything I aspired to be--bookish and intelligent, a powerful witch who stood up for what she believed in, but who could also snag the world’s best Quidditch player as a prom date. 

Is Grease Sexist?

I once told a friend of mine that I think Grease is horribly sexist because the plot is basically: girl changes herself to get the guy. He responded, “I always thought it was her throwing off negative social norms. It’s not like the whole goody two shoes thing was good.” His sentiments versus my own are the crux of the argument about whether Grease is a sexist movie, or one that supports feminist ideals. 

The Princess Tried

My favorite movie [The Princess Bride], though strikingly Jewish, is not particularly feminist. It’s not just that it doesn’t pass the Bechdel test (because let’s be real how many movies do?), it’s because the female protagonist, Buttercup, is seemingly incapable of doing anything on her own. 

Letting go of Woody Allen with the help of Claudia Weill

Woody Allen’s name is synonymous with New York City Jewry and avant-garde art; he is the poster boy for the guilt ridden, philosophically burdened, emotionally stunted kvetcher that we are all familiar with. Allen’s characters are recognizable—carrying pieces of our relatives, our community members, and ourselves. Annie Hall, Crimes and Misdemeanors, Manhattan, and Fading Gigolo, to name a few, place a strong emphasis on Jewish culture and idiosyncrasies, connecting to both a broad, general audience, that responds to the novelty, and to the specific tastes of Jews.

Elizabeth Bennet, Feminist Killjoy

I became a full-blooded Janeite when I read Emma as a twelve year old, shortly followed by Austen’s classic, Pride and Prejudice, a few months later. I was captivated by a world of lavish parties, grand estates, and husband-material men who make five thousand a year

The ‘Miracle Mop’ Can’t Wring Out Dated Stereotypes

Joy is a cute movie, to say the most. Jennifer Lawrence’s character, Joy Mangano, is a housewife who strives to become a businesswoman despite the men in her life advising her against it. On the surface, this is a powerful story about  a woman coming into her own; a working class woman in the late 80s who moves beyond her meager station in life to make a name for herself. 

Jenny Slate

Jenny Slate has refused to be pigeonholed in her comedy, from the controversial film Obvious Child to the quirky YouTube series Marcel the Shell.

Hail Caesar! - A Movie (Obviously) by White Men

I wrote my most important college admissions essay about The Big Lebowski. This is probably less indicative of my commitment to higher education, and more indicative of my unabashed love of the unstoppable film duo that is The Coen Brothers. 

Unlearning Silence in What’s Up, Doc?

For all that I am the outspoken, proud nerd in my school life, for all that I try to speak up for my views and ask questions in academic settings, for all that I am confidently liberal in conservative settings— I am distinctly self-conscious about all of it. 

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How to cite this page

Jewish Women's Archive. "Performing Arts." (Viewed on June 27, 2016) <http://jwa.org/topics/performing-arts>.

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