Photographers like Arbus, Goldin, and Leibovitz have brought their own unique worldviews–perspectives that were certainly informed by their religious background and gender identities–to their works. Their groundbreaking art has paved the way for contemporary young Jewish women aspiring to capture the moment through the camera. Their legacy will always stay in the hearts and minds of people around the globe, their photos stirring the hearts of simple people and arts aficionados alike.
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Talia bat Pessi
Talia is a student at Harvard University planning on concentrating in Studies of Women, Gender, and Sexuality. She created and maintains Star of Davida (starofdavida.blogspot.com), a Jewish feminist blog, and has written for over 50 publications. Talia's feminist advocacy work was recognized by her inclusion in the 2013 Jewish Week 36 Under 36. When she manages to find spare time, she enjoys fuzzying with her rescue dog, messing around in Photoshop, and procrastinating on the Internet.
Since its inception, Yad Vashem has been in the forefront of identifying and honoring Righteous Gentiles saved Jews during WWII. Many of these individuals hid Jews in their homes or organized hiding places that allowed Jews to escape the Nazi dragnet. Stories like those of Oskar Schindler (of Schindler's List fame) and Raoul Wallenberg are well known. Others, no less amazing, are only now beginning to come to light.
Although my friends usually come into the conversation unable to comprehend why nice, Orthodox girls would want to enter the rabbinate, I certainly hope they leave the discussion slightly more enlightened. They don’t have to agree with me at the end of the day; Judaism is very fluid, and no two people must come to the same conclusion regarding the interpretation of halakha. I just hope they can understand why women like the recent Yeshivat Maharat graduates may want to choose the rabbinate or a religious leadership role.
I’m not sure when I realized that the true Torah value is inclusion and acceptance of our LGBT+ brethren. Perhaps it was because my mom became close friends with a gay man who’s very active in gay social life. Maybe it was because of my increased involvement in feminism; after all, the National Organization for Women (NOW), the largest feminist organization in the US (of which I am a member), lists lesbian rights as one of its top priority issues. Or maybe it was just maturity. Whatever the reason and whenever it actually happened, I began to support gay rights, both within and without the Jewish community.
Not surprisingly, the 40th anniversary of Roe v. Wade kicked up a great deal of dust. In early January, Planned Parenthood announced that it will abandon the term "pro-choice" to describe people who believe abortion should be every woman's right; on January 25th, tens of thousands of activists gathered on the Mall in Washington, D.C. for the annual Walk for Life. One of our regular guest bloggers, high school student Talia bat Pessi, shares her thoughts on the issue.
At the NOW (National Organization for Women) conference I attended in June, playwright Eve Ensler delivered the keynote speech. Ensler, who is featured in JWA’s online exhibit Jewish Women and the Feminist Revolution, was a riveting speaker whose passionate words truly rallied me to action. I’ve been hoping to see one of her plays ever since. Luckily, her newest show Emotional Creature: The Secret Life of Girls Around the World, is now playing Off-Broadway, and I was able to get tickets!
For today’s young feminists, the name Phyllis Schlafly may be totally unfamiliar; if anything, it triggers a distant memory of a footnote in an AP US History textbook. Those activists who lived and fought during the Second Wave are, however, all too familiar with the uber-conservative activist.
Most people believe that Yiddish literature and poetry was written solely by men. In reality, there were hundreds of female Yiddish writers and poets, all of whom had their own distinct biographies and writing styles.
Edith Kaplan Bregman was one of these women. She was born in a Russian shtetl in 1899 to a Hasidic family, immigrating to New York when she was 13. In America, she was exposed to literature that hadn’t been available in Europe, so she became a voracious reader. Bregman went on to write poetry in her native tongue, Yiddish. Her love of language led her to meet many Yiddish literary giants, like Avrom Reyzen, a poet who became her mentor. While she wrote poems throughout her early life, her works weren’t published until 1939, when a Yiddish newspaper had a poetry contest that she entered and won. Her victory gave her the confidence to publish more of her written work. Some of the themes that recur throughout her poems are a love of Judaism and God, life in Europe, and Holocaust remembrance. In addition to writing poetry, Bregman sang and played the mandolin and piano. Bregman’s last poem was published in 1997, a few years before her death at age 99.
I have a spreadsheet that focuses on Jewish and feminist life at every college I want to apply to.
I’ve been absolutely dying to see the musical Baby It’s You! for a while now, and was thrilled when I finally got tickets to see the show.