Not surprisingly, the 40th anniversary of Roe v. Wade kicked up a great deal of dust. In early January, Planned Parenthood announced that it will abandon the term "pro-choice" to describe people who believe abortion should be every woman's right; on January 25th, tens of thousands of activists gathered on the Mall in Washington, D.C. for the annual Walk for Life. One of our regular guest bloggers, high school student Talia bat Pessi, shares her thoughts on the issue.
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Talia bat Pessi
At the NOW (National Organization for Women) conference I attended in June, playwright Eve Ensler delivered the keynote speech. Ensler, who is featured in JWA’s online exhibit Jewish Women and the Feminist Revolution, was a riveting speaker whose passionate words truly rallied me to action. I’ve been hoping to see one of her plays ever since. Luckily, her newest show Emotional Creature: The Secret Life of Girls Around the World, is now playing Off-Broadway, and I was able to get tickets!
For today’s young feminists, the name Phyllis Schlafly may be totally unfamiliar; if anything, it triggers a distant memory of a footnote in an AP US History textbook. Those activists who lived and fought during the Second Wave are, however, all too familiar with the uber-conservative activist.
Most people believe that Yiddish literature and poetry was written solely by men. In reality, there were hundreds of female Yiddish writers and poets, all of whom had their own distinct biographies and writing styles.
Edith Kaplan Bregman was one of these women. She was born in a Russian shtetl in 1899 to a Hasidic family, immigrating to New York when she was 13. In America, she was exposed to literature that hadn’t been available in Europe, so she became a voracious reader. Bregman went on to write poetry in her native tongue, Yiddish. Her love of language led her to meet many Yiddish literary giants, like Avrom Reyzen, a poet who became her mentor. While she wrote poems throughout her early life, her works weren’t published until 1939, when a Yiddish newspaper had a poetry contest that she entered and won. Her victory gave her the confidence to publish more of her written work. Some of the themes that recur throughout her poems are a love of Judaism and God, life in Europe, and Holocaust remembrance. In addition to writing poetry, Bregman sang and played the mandolin and piano. Bregman’s last poem was published in 1997, a few years before her death at age 99.
I have a spreadsheet that focuses on Jewish and feminist life at every college I want to apply to.
I’ve been absolutely dying to see the musical Baby It’s You! for a while now, and was thrilled when I finally got tickets to see the show.
Today's guest post comes from high school student Talia Weisberg, creator of Bleep!, an organization dedicated to eradicating the use of foul language by today's youth. Talia created Bleep!