Opera in Israel owes its creation primarily to singer, director, producer, and impresario Edis De Philippe. De Philippe made her New York opera debut in 1935 before performing with the Paris Opera and touring Europe and South America. She then founded the Israel National Opera Company in 1947 and ran it until her death in 1979.

Deborah, one of the most extraordinary women in the Bible, is presented as an extremely righteous and praiseworthy woman in rabbinic literature. Though some traditions criticize her pride, perhaps wary of how she transgressed gender norms, most of the rabbinic texts about Deborah are filled with praise.

Though she began her career in publishing at liberal Jewish journals, Midge Decter became a prominent neoconservative in the 1970s, famous for her attacks on the women’s liberation movement. By the 1980s, Decter turned to foreign policy and became a vocal Cold Warrior opposed to the Soviet Union because of the threat it posed to the United States and Israel.

Living a privileged existence in the wealthiest circles of German cultural society, Ida Dehmel became involved in circles of patronage of modern art that raised awareness for feminist issues, including women’s suffrage and equality for women’s artists’ associations. In 1916 she co-founded the Women’s Society for the Advancement of German Art.

Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer, and printmaker. She designed costumes for operas and ballets around Europe and created her own fashion design company. Deluanay was the first female artist to have a retrospective show of her work at the Louvre in 1964.

The midrashim on Delilah attest to the negative attitude of the Rabbis toward non-Jewish women. The Rabbis accentuated the negative aspects of the relations between Samson and Delilah in order to demonstrate the havoc that a foreign woman could wreak.

Florence Levin Denmark helped found the field of women’s psychology and built crucial support for it in academic circles.

Maya Deren pursued an ambitious career as a writer, publishing poetry, essays, and newspaper articles. She was also one of the most important avant-garde filmmakers of her time for her use of experimental editing techniques and her fascination with ecstatic religious dances. In 1946 she used a Guggenheim Fellowship to photograph Haitian dance.

Babette Deutsch, born and raised in New York City, was a gifted poet, novelist, translator, and educator. In her work, she interwove elements of vastly different cultures and times, from the Bible and Shakespeare to Russian and Japanese literature. She often used her work to explore Jewish themes and culture.

Helene Deutsch was mentored by Sigmund Freud and was the first psychoanalyst to write a book on female psychology. In the 1920s she emerged as one of the most successful teachers in the history of psychoanalysis and in 1924 she became the first woman to head a psychoanalytic clinic.

Devar ha’Po’elet, the magazine of the women worker’s movement, was founded in 1934 by Rahel Katznelson-Shazar, a prominent activist of the Council of Women Workers. The magazine was intended as an educational tool, through which the movement aimed to communicate the essential characteristics of the new Hebrew woman.

Long before her final role as the grouchy bailiff on Night Court, Selma Diamond earned a reputation behind the scenes as a brilliant, salty comedy writer for some of the best shows on radio and television. Diamond wrote radio routines many famous comedians was a regular on the Jack Paar show and acted on stage and in many television shows and movies.

Friedl Dicker was an artist and educator who studied at the Bauhaus school then led art classes at Terezin.  In the ghetto, Dicker taught drawing to hundreds of children, designed sets and costumes for children’s performances, and made an exhibition of children’s drawings in a basement. She also created her own sketches, many of which were discovered in the 1980s.

Die Deborah was an influential American Jewish newspaper published in German from 1855 until 1902 specifically aimed at German-Jewish middle-class women. The paper’s writers and editors viewed women in high esteem as keepers of moral and spiritual values, and toward the turn of the century they came to support the values of the American feminist movement.