Rachel Wischnitzer was a pioneer in the fields of Jewish art history and synagogue architecture. Her wide-ranging scholarship included books, articles, book reviews, and exhibition catalogs on ancient, medieval, and modern Jewish art. The breadth of her contributions to the history of Jewish art and architecture is exemplified in her lifelong dedication to her work.

Phyllis Lambert is a Canadian architect and philanthropist. After receiving her M.S. in architecture in 1963, she established herself as a leader in urban conservation and public architecture. She has received many awards and honors, including the Gold Medal from the Royal Architecture Institute of Canada in 1991—Canada’s most prestigious architectural award.

Rosa Kliass is a trailblazer in the field of Brazilian landscape architecture. After graduating from university, Kliass established the first landscape office run by a woman in Brazil. Kliass’ extensive experience in public works, combined with a broad interdisciplinary approach, led her to serve as a consultant to several governmental institutions.

Ada Karmi-Melamede (b. 1936) is a prominent Israeli architect. Her work includes a variety of public and private projects, among them the Supreme Court Building in Jerusalem and The Open University campus in Ra’anana. In 2007, she received the Israel Prize in architecture, the second woman to have ever received this prize.

Dora Gad (1912-2003) was a prominent Israeli architect and interior designer. In the early decades of Israel's statehood, Gad played a key role in designing projects for the newly established national institutions in Israel. In 1966, she received the Israel Prize in architecture, the first woman to have ever received this prize.

The related fields of typography and graphic design played a vital role in the advent of modernism in early twentieth-century Europe, with many vanguard groups—better known for painting, sculpture, architecture, and manifestos—using design to test the practical application of their new modes of artistic production. The European avant-garde, imported to the United States by a wave of emigrés in the late 1930s, was embraced by a new breed of designers, eager to build upon the principles of an incipient “international style.” Elaine Lustig Cohen, with her husband, Alvin Lustig, were among the most prominent graphic designers to adopt these advanced aesthetic concepts for use in the American market.

Most Jewish women artists from Austria have been forgotten due to the male domination of the Austrian art sphere and the Holocaust. However, many Jewish female artists in Austria created influential work and established their own system of education and their own organizations, leading to a flourishing female art world until 1938.