This collection from Lilith magazine values, re-values, and preserves diverse Jewish women’s stories.

Full of insights from experts and the joyously childfree, this film expands our understanding of reproductive justice.

After watching Fiddler: A Miracle of Miracles, viewers will likely find themselves humming “If I Were A Rich Man” and “Tradition” for days.

Gittel’s Journey overlaps with one of the central themes of Pesach: that having been strangers ourselves, we are ethically obligated to remember the stranger.

Paula Eiselt is a honest enough filmmaker to represent the compromises that her protagonist makes and the tensions that develop within the unit as a result.

Harris’s questions are worth the consideration of every committed cinephile and feminist. She asks whether a director’s gender necessarily determines the politics of a film, whether women’s stories are necessarily feminist ones, which women’s stories are represented on-screen, and how some depictions of sexual violence intended to critique rape culture are actually complicit with it.

So, my journey from New York to Texas has resulted in my viewing myself as a bicultural Jew: I have had the luxury and privilege of taking Jewishness for granted and I also know the depths of Jewish illiteracy and intolerance that plague parts of the country and some institutions of higher education.