Western feminists have a habit of writing about and advocating for “first world” issues: body image, television and gaming tropes, the wage gap, you name it. It’s logical to be most concerned with the society in which you live and on which you have the most influence, and there’s nothing wrong with this reality. 

I cried six times during the movie Selma. Each time for a different reason, and with varying durations/intensities. Within the first few minutes I had tears of mourning and shock running down my face. At one point I broke into sobs of sorrow.

In 1964, three civil rights activists disappeared at the start of Mississippi’s Freedom Summer. Assuming that James Chaney (who was black), Andrew Goodman, and Mickey Schwerner (who were both white) had almost certainly been killed for investigating a racist church bombing, the rivers in Mississippi were dredged to look for their bodies. What they found instead is described in the song “In the Mississippi River” written by Matthew Jones and sung here by the Freedom Singers: Dozens of black Americans who had been murdered, their hands and feet tied, and sunk in the river. It was understood that no one outside of their friends and family members would ever notice they were gone.

Sitting in my grandparents' house in Northridge, CA, on stolen land that was originally Barbareño and Chumash territory, I'm thinking a lot about how to foster space for gratitude without erasing the pain and violence in the paths that brought us to this place. Because rolled up in my story, in the events that led to me being in this place with my cherished family of origin, is a lot of pain and violence.

“This memorial garden is dedicated to her noble spirit, which celebrated the oneness of humankind, and to the bonds of everlasting friendship between black and Jewish people.”

If you had to guess who this epitaph belonged to, who would you choose?  Lillian Wald? Dorothy Height?

Dear Tara,

You might be sorry to hear it, but I do not miss home yet. Southern hospitality is REAL and amazing. Just came back from an incredible evening of Southern food, music, visiting, and art at the Mississippi Museum of Art, which has an incredible installation of Civil Rights Photographs. I got to meet Doris Derby who you should definitely know about if you don't already.

I think today might best be a day told in quotes from a few key experiences. There is so much more happening than I can fit in these few words.

Dear Tara,

When I exited the airport in Jackson I couldn't help but feel as if I was walking on hallowed ground. The air was thick and the dense grass crunched under my feet—it really feels different here. The song "Strange Fruit" played softly through my mind as we drove through the flat, open land past trees that look different enough from home to make me feel a little out of place. As you well know, I have always been fascinated by the Civil Rights Movement. I feel like this part of our history sheds light on our proudest and darkest moments as a nation. Mississippi was (and continues to be) a battle ground for testing the ideals and laws that supposedly govern the United States, and I sort of feel like I am on a pilgrimage to witness this crucial part of our history.