Margalit Oved—dancer, choreographer, singer, actress, musician—is the epitome of a performance artist. Her work blended elements from the Yemen of her childhood, the Israel of her adolescence, and the Los Angeles of her adulthood. She has left an indelible mark on twentieth-century Jewish culture through her inventive and modern interpretations of ancient biblical tales.

Dance has been an integral element of the Jewish community since biblical times. An intense desire to share the joy of dance, coupled with a strong identification with both Israel and their Jewish roots, spurred a group of influential women to create a flourishing movement of Israeli folk dance in North America. Today, Israeli folk dance enjoys a wider popularity than ever.

Artists began to try to create a new Hebrew dance in the 1920s. Israeli Expressionist Dance flourished first, followed by American modern dance. Israeli dance became professionalized and centralized, and over the past few decades, efforts to promote local creativity accelerated, ethnic dance companies have flourished, and choreographers have taken increasingly political stances.

Jewish immigrants to the New World brought with them their ritual and celebratory Jewish dances, but these traditional forms of Jewish dance waned in the United States. Working-class and poor Jewish immigrants parents sought out culture and education in the arts for their children, often as a vehicle for assimilation. Jewish women were particularly attracted to the field of modern dance.