Laura Ziskin

Film Producer, Cancer Activist
1950 – 2011
Hollywood film producer and cancer activist Laura Ziskin.
Courtesy of Susan B. Landau.

The following tribute was originally published in the Huffington Post on June 16, 2011 and is reprinted here with permission.

by John Koch

Four years ago, I walked into a crowded conference room on the Sony lot and there were all of these smart, beautiful, determined women sitting behind laptops with big, bright smiles on their faces. The biggest and brightest smile came from a petite lady with an enormous presence, great sense of humor and very stylish glasses. She ended the meeting with a rather audacious (and joyous) pronouncement, This is where the end of cancer begins.

I've been to a lot of meetings with a lot of fancy pronouncements that never lead anywhere. Projects that yield results usually do so because they have a passionate and savvy producer at the helm. Producers make things happen: money, talent participation, putting the right combination of people together—uniting them in a cause and inspiring others to rise to the occasion. In this way and so much more, you'd be hard pressed to find a better producer than Laura Ziskin.

Her accomplishments as a producer were, to borrow a title from one of her films, As Good As It Gets. Her credits included the Spider-Man franchise, Pretty Woman, and two Oscar telecasts, just to name a few. Laura had the courage to develop David Fincher's Fight Club when no one else would and the heart to help make William Hurt's performance in The Doctor possible. For all she accomplished in show business, her legacy in the fight against cancer will be the most lasting. It was very heartening to know so much of the media coverage surrounding her death included the immeasurable impact she made through Stand Up To Cancer.

Laura loved writers and understood the importance of finding the right words. She was an accomplished writer in her own right (Who doesn't love What About Bob?), and she was married to one of the greatest screenwriters of all-time in Alvin Sargent.

The script she helped develop for Stand Up To Cancer is clear: get the best scientists from the top cancer hospitals working together on research projects designed to get treatments to patients faster. Scientists call it translational research and Laura was its biggest champion. Like many of her film projects, translational research wasn't easy to get made -- the script is complex, it costs a lot of money to produce, but the payoff is dramatic: the end of a disease that claims 1,500 American lives a day.

Like in film, Laura was surrounded by A-list talent including: Nobel Laureate Phillip A. Sharp who chairs the esteemed Stand Up To Cancer Scientific Advisory Committee; the American Association of Cancer Research; the Entertainment Industry Foundation, most especially, Lisa Paulsen and Kathleen Lobb; Laura's smart and fearless producing partner, Pam Williams; and a core group of powerful and compassionate women from entertainment and media including Katie Couric, Sherry Lansing, Noreen Fraser, Rusty Robertson, Sue Schwartz, and Ellen Ziffren. Not to mention numerous scientists, doctors, patient advocates, celebrity ambassadors, corporate donors and volunteers.

Laura knew the SU2C scientists and doctors very well, and she'd push them like a good producer does, to reach beyond what they thought was possible. In turn, she'd call on her extensive Rolodex at the drop of hat to support and fund their dream team projects. Getting to the public was harder, she would say, because the war on cancer is approaching middle age, and people are naturally cynical after a 40-year war. We have to start a movement to get people to believing in science. She proclaimed. Each time I would walk into that Sony conference room, it was like walking into a creative think-tank on how to engage people in the fight against cancer, and inspire them to invest in research. Laura fed off every idea no matter how crazy or whom it came from.

Laura wasn't afraid of cancer—she wanted to beat it back into submission with every fiber of her being. Part of her mission was to make the disease less frightening for people. The first step was to embrace the word cancer—to speak it, shout it, confront it, so we could one day end it. She called me one day, beaming with excitement, because she met an inspiring group of women, nicknamed the 46 Mommas. These mothers shaved their heads in solidarity with their sons and daughters, each of whom was either in the fight or tragically lost to cancer. Laura marveled at the defiance of these women, and was emboldened by their courage. We have to put them in the show, she said. And last September, when those 46 Mommas took the stage, millions more stood with them in living rooms across the planet.

As tough as she could be toward the disease, Laura had the depth of heart to hold empathy for every man, woman and child grappling with the cancer. She kept tabs on everyone she knew with cancer, and read everything on the disease she could get her hands on. At the same time, she was fighting her own battle. Although, you'd never know it. She never wanted anyone to feel pity; she wanted them to take action. Her spirit was so strong; I honestly thought she'd be struck by lightning before ever dying of this disease.

This loss is profoundly deep for the Stand Up To Cancer family, as all of us were very close to Laura. It was impossible not to be. She was one of those singular forces of nature, who could move mountains, once thought immovable. We loved being around her, and she loved us. She cheered the smallest of victories, and fostered every out of the box idea. She was the same with the million dollar donor, and someone donating ten bucks on Facebook—gracious. She reminded me that I was part of something bigger, and for that, I'll be forever grateful. And one day, when there is a cure, or cancer becomes a more consistently manageable disease, Laura will have been a big part of the reason why.

As part of the 2010 Stand Up To Cancer broadcast, writer Eli Dansky, Laura's son-in-law, wrote the following passage which was delivered by George Clooney:

Our own cells do a simple thing millions of times a day: they divide. Over, and over, and over. No matter how you live, who you are, where you are, through no fault of your own, a single mistake in a single cell can spark another that makes battlefields of our own bodies. Some of us are so lucky that in those millions upon millions of moments, everything works perfectly. The great thing about the human species is that we, the lucky ones, can stand up for the not so lucky.

That was Laura Ziskin.

John Koch is a Los Angeles based writer and strategist. He currently serves as Vice President of Communications for ID, an entertainment and brand public relations agency. He worked closely with Laura Ziskin for four years and was a co-writer on the 2010 Stand Up to Cancer broadcast.

This piece originally appeared in JTA's The Eulogizer on June 15, 2011; used by permission.

by Alan D. Abbey 

Laura Ziskin, a groundbreaking Hollywood producer who took the same levels of energy and intensity she brought to filmmaking to fighting cancer for eight years, died June 12 at 61.

Ziskin’s Hollywood credits include the Julia Roberts romantic comedy Pretty Woman and the Spider-Man franchise, which has sold more than $1.5 billion in tickets, with a fourth film in the works for 2012. News reports said that Ziskin was actively involved in production work on the Spider-Man "reboot" even as her cancer began to spread in recent months. The film, now in post-production, likely will be dedicated to her memory.

Ziskin was based at Sony Pictures but previously headed Fox 2000, a division of 20th Century Fox, which made dramas such as Courage Under Fire, Fight Club and The Thin Red Line. Ziskin, the first woman to produce the Oscars awards show, featured Woody Allen on the telecast in 2002.

Ziskin was perhaps even better known as the co-founder of Stand Up To Cancer. In 2007, the three major U.S. television networks donated an hour to a program Ziskin produced to raise funds for cancer research. The first show and a 2010 follow-up, which also included Fox and cable providers, featured film and TV stars, recording artists, news anchors and sports personalities, were seen in 175 countries.

When she won The Producers Guild of America's Visionary Award this year for her film work and efforts to fight cancer, Ziskin said that We realized we had the potential to make cancer the first-tier issue it needs to be and to impact how cancer is treated by using our skills as producers and quite literally 'putting on a show.' Stand Up To Cancer is my most important production."

Stand Up To Cancer on its website said that "Though we shed tears from your absence in our lives, when we wipe them away we will remember what you have given us, we will see more clearly and our actions will be more deliberate than ever, as we stand up to cancer, as we challenge the status quo, as we dream our dream…Until one day, we can live in a world where everyone diagnosed with cancer can be a survivor, living long and healthy lives—Until one day, we may tell our children's children, there was once a killer called cancer."

Hollywood talent manager Joan Hyler said this about Ziskin in 2009: "Thinking of Hollywood Matriarchs—I am impressed by many who semi-retire like Sherry Lansing, after a full career as a producer and studio head—and use their money and power in philanthropic pursuits. Laura Ziskin (still actively producing the Spider-Man series) is using her power and money to fight cancer. Both Jewish girls, these powerful women are worthy of our Torah female prototypes: They live in the world and use their accomplishments for the greater good."

Ziskin was lauded as one of the first women to break into the "inner circle of A-list producers, for decades considered an all-boys club."

Actress and filmmaker Jaime King said Ziskin was a woman whose example "I will look to for guidance in the face of my own challenges. The brief time that I spent with her has seeped deeply into my soul. Her knowing without proof, her faith and courage in the midst of her fiercest battle, her compassion and empathy that reached beyond the millions of hearts she touched and sailed into the stars that twinkle above us."

Ziskin was born and raised in Southern California’s San Fernando Valley and graduated from the University of Southern California. She was married to screenwriter Alvin Sargent, whose credits include the Spider-Man series.

Alan Abbey is a veteran journalist who has moved into developing and managing the websites of a major Jewish educational institution and think tank in Jerusalem, Israel. He has run and built profitable websites for major media organizations. He has been a reporter and editor at newspapers across the U.S., Washington bureaus, and in Israel.


Video courtesy of Stand Up To Cancer.

Topics: Film

Plain text

  • No HTML tags allowed.
  • Web page addresses and email addresses turn into links automatically.
  • Lines and paragraphs break automatically.


Help us elevate the voices of Jewish women.

donate now

Get JWA in your inbox

Read the latest from JWA from your inbox.

sign up now

How to cite this page

Jewish Women's Archive. "Laura Ziskin, 1950 - 2011." (Viewed on April 23, 2024) <>.