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Sculpture

First solo show for sculptor Louise Nevelson

September 22, 1941

Sculptor Louise Nevelson's first one-woman show opened at the Nierendorf Gallery.

Louise Nevelson stamps issued by U.S. Postal Service

April 6, 2000

The United States Postal Service issued five stamps depicting the work of sculptor Louise Nevelson.

Louise Nevelson

Louise Nevelson belongs to a generation of Manhattan-based painters and sculptors who were born at the close of the nineteenth century and whose careers spanned the twentieth, coinciding with the development of modernism in America.

Teresa Żarnower (Żarnoweröwna)

Teresa Żarnower, who was a pioneer in many fields of art, belonged to the strict avant-garde of the inter-war period.

Hannah Wilke

The body is omnipresent in the work of Hannah Wilke. Her typically nude body and its self-representation became the vehicle by which Wilke exposed personal, political, and linguistic themes. Like the work of her feminist peers of the 1970s, Wilke’s art has often been oversimplified by critics, yet it continues to influence the complex art of postmodern artists today.

Miriam Schapiro

Miriam (Mimi) Schapiro is one of the foremost pioneers in the feminist art movement in the United States. Nicknamed “Mimi Appleseed” after Johnny Appleseed whose dream was for a land where blossoming apple trees were everywhere, she has opened paths previously closed and unknown to women artists, past and present, trained and untrained.

Antonietta Raphaël

The celebrated painter and sculptor Antoinetta Raphael, whose artistic works vividly portray both the imaginary and the familiar.

Virginia Morris Pollak

During World War II, sculptor Virginia Morris Pollak discovered that her training in casting methods and her family’s tradition of community service dovetailed perfectly. Working with plastic surgeons at Halloran Hospital on Staten Island, Pollak not only developed a superior modeling material for reconstructive surgery but also modeled plates for skull replacements from the notoriously difficult metal tantalum.

Chana Orloff

Critics have always found dignity and humor, plus “an unerringly true adjustment of weight to line” in the sculpture of Chana Orloff, one of the “Ecole de Paris,” who said that she wanted her works “to be as alive as life …”

Isadora Newman

Variously described in the pages of the New York Times in the 1920s and 1930s as writer, poet, and artist, Isadora Newman found creative expression in a variety of media. Two themes, however, run through this diversity: a respect for the ability of children to see freshly and a lasting impression of the black and Creole heritage of her native New Orleans.

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How to cite this page

Jewish Women's Archive. "Sculpture." (Viewed on December 13, 2017) <https://jwa.org/topics/sculpture>.

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