Florine Stettheimer's paintings are lively, diarylike accounts of her life and acute examinations of upper-class ways in New York between the wars. Her decorative style offered an alternative to prevailing modes of contemporary modernist painting. Through her work, she criticized the high-mindedness of modern art and the course of modern life. 

Virginia Levitt Snitow was a multifaceted woman who was a teacher, political activist, pre-Second Wave feminist, poet, writer and founder of US/Israel Women to Women. Ahead of her time in the fight for both civil and women’s rights, Snitow was unafraid to take unpopular stances when fighting for others.

Yiddish writer Esther Shumiatcher-Hirschbein was born in Belarus in 1899 and emigrated to Calgary, Canada, with her family in 1911. Her poetry devoted to her pregnancy and childbirth were considered groundbreaking, along with other themes in her work, including grief, marriage, sexuality, and widowhood.

Fradel Shtok’s Yiddish poetry and prose is distinctive for its treatment of the inner sensual lives of Jewish women. Although she showed great promise as writer, she was discouraged by the unenthusiastic reception of her work by leading critics and withdrew from the literary scene after publishing only one collection of short fiction in 1919. A number of Shtok’s poems appeared in American Yiddish literary journals and anthologies, but no collection of her poetry ever appeared.

During her decades-long career as both poet and professor, Dr. Grace Schulman has received numerous awards, including the Frost Medal for Distinguished Lifetime Achievement in American Poetry. Her work has been included in numerous anthologies, and she has written extensively on her friend and mentor poet, Marianne Moore.

In 1966 Nelly Sachs became the first German woman to win the Nobel Prize in Literature. After Sachs fled Berlin in 1940, her thirty-year exile in Sweden proved fertile ground for her poetry. She was motivated as a writer by her deep desire to bear witness to the victims of the Holocaust.

Nina Salaman was a well-regarded Hebraist, known especially for her translations of medieval Hebrew poetry, at a time when Jewish scholarship in Europe was a male preserve. In addition to her translations, she published historical and critical essays, book reviews, and an anthology of Jewish readings for children, as well as poetry of her own.

Chava Rosenfarb, a major Yiddish novelist of the second half of the twentieth century, is one of the few Holocaust survivors who transmuted their experiences into fiction rather than memoirs or reminiscences.

Laura Riding, also known as Laura Riding Jackson, was an unconventional poet and critic who is credited with helping shape modern poetry.

Sarah Reisen was both a gifted Yiddish writer in her own right and a respected translator of great literature into Yiddish for children and adults. Recognized by contemporaries for her humane literary sensibility, she brought to Yiddish literature not only her own creative works but also her translations, which introduced readers of all ages to world literature.

Israeli poet Dahlia Ravikovitch (1936-2005) is one of the most significant figures in modern Hebrew literature and poetry, best known for her ground-breaking feminist poetry and for her political involvement.

The "founding mother" of modern Hebrew poetry by women, Rahel Bluwstein achieved in death the status of a national cultural icon. Rahel’s affiliation with the avant-garde group of Second Aliyah pioneers to pre-state Palestine, her dedication to Zionist ideals, and her agonizing death made her a beloved pioneering figure in Israel.

Female Yishuv writers have often been ignored in discussions of Jewish literature from the period. As the sometimes-melancholy tone and escapist themes of their writing show, these women struggled to escape the margins in pre-state Palestine. Nonetheless, the works of these female writers offer important insights into the lives of Yishuv women and paved the way for contemporary women writers.

Crowned “the Poetess of Jerusalem” by Sholem Asch, Rikudah Potash wrote in Yiddish about the landscape of her beloved city and its diverse ethnic communities. She brought to Yiddish readers the rarely seen Middle Eastern Jewish woman. Potash’s Jerusalem, both the heavenly and the earthly, was a capacious universe that she inhabited, body and soul, for thirty years.

Elisheva Carlebach is Baron Professor of Jewish History, Culture, and Society, and Co-Director, Institute for Israel and Jewish Studies, Columbia University. She is the author of The Pursuit of Heresy (National Jewish Book Award); Divided Souls: Jewish Converts to Christianity in Early Modern German Lands; Palaces of Time: Jewish Calendar and Culture in Early Modern Europe (AJS Schnitzer Prize); and Confronting Modernity: 1750-1880, vol. 6 in The Posen Library of Jewish Culture and Civilization. She has held fellowships at the New York Public Library Center for Scholars and Writers, the Katz Center at University of Pennsylvania, and the Tikvah Center at NYU Law School. She served as Editor of the AJS Review and as President of the American Academy for Jewish Research.