Originally a historian and researcher in Heidelberg and Berlin, Selma Stern-Taeubler settled at the Hebrew Union College in Cincinatti after fleeing Nazi Germany. She became the first archivist of the American Jewish Archives at the college and later wrote books of fiction and nonfiction. Despite her contributions to Jewish history, American-Jewish academe has largely undervalued Stern-Taeubler’s work, which continued until her death in 1981.

Although it was never published in her lifetime, Grace Seixas Nathan’s writing showed her passion for her country, her family, and her religion. She began writing poetry at an early age, particularly on Jewish themes. Throughout her life, Nathan corresponded with various friends and relations, blending eloquence and emotion with a fierce wit that bring her era to life.

Jessie Sampter was an important Zionist activist, writer, and educator. As an influential member of Hadassah, the woman’s Zionist organization, she advocated for an inclusive vision of Zionism. Putting her ideas into practice, she moved to Palestine in 1919. Although Sampter’s disability and non-normative family structure did not align with Zionist ideals of strong, healthy bodies, she championed Zionism, though not always uncritically.

Adrienne Rich was an influential poet, thinker, and political activist. In her essays and poems, Rich explored the intersections of the personal and the political, focusing in particular on questions of identity while drawing on her own experiences as a woman, a lesbian, and a Jew.

Novelist and poet Marge Piercy's life and life’s work reflect her deep engagement with political activism, feminism, and Judaism. In genres including fiction, poetry, liturgy, memoir, and essays, Piercy’s work brings together spirituality, creativity, memory, sensuality, and political engagement.

Grace Paley wrote highly acclaimed short stories, poetry, and reflections on contemporary politics and culture. A rare example of a writer deeply engaged with the world, Grace Paley made an impact as much through her activism as her writing.

Kadya Molodowsky was a major figure in the Yiddish literary scene in Warsaw (from the 1920s through 1935) and in New York (from 1935 until her death in 1975). She published extensively in many genres, including poetry, fiction, drama, and essays, and founded and edited two journals. Recurrent themes in her work include the lives of Jewish women and girls Jewish tradition in the face of modernity, Israel, and the Holocaust.

Judith Malina was an actress, director, and producer who dedicated her life to creating avant-garde, politically charged theater works, and activism. She co-founded the experimental Living Theatre company with her husband; was involved in the antiwar movement, Women Strike for Peace, and the Industrial Workers of the World; and won many honors and awards for her acting and directing work. 

Reference to Hagar appears in a wisdom poem (Bar 3:9–4:4) that is itself part of an apocryphal letter written sometime between 200 to 60 B.C.E. to the priests and people of Jerusalem from Baruch, the scribe and close friend of Jeremiah (Jeremiah 36).

Rajzel Zychlinski’s poetry was shaped by the hopes and horrors of the twentieth century. She lived in Poland, the Soviet Union, France, and the United States, and was fluent in five languages, but for over seventy years she wrote only in the one idiom that was truly hers: Yiddish.

An acclaimed and widely beloved Hebrew poet, Zelda’s work was utterly unique, conforming to no one school of Hebrew poetry. Her six books of mystical-religious verse were bestsellers, demonstrating that, while her poetry frequently referenced classical Jewish texts, it was admired by Jewish Israelis across political and religious spectrums.

Jane Yolen is a Jewish-American children’s author, poet, and young adult novelist. Yolen has written more than 400 books for children and adults, including the children’s book series How Do Dinosaurs Say Goodnight? and the young adult Holocaust novella The Devil’s Arithmetic.

Miriam Yalan-Stekelis revolutionized Israeli children’s literature with her classic poems and stories. She challenged the convention of the “happy ending” in children’s stories, portraying children playing yet also struggling and suffering from the judgment of adults. Yalan-Stekelis’s play-songs and poems have become an integral part of the cultural repertoire of kindergartens and schools in Israel.

Spurred to publish initially as a response to the concerted campaigning of Christian conversionists, women writers were the first Anglo-Jews to produce literature on Jewish themes in England. By the end of the nineteenth century, literature by Jewish women had expanded to encompass not only works defensive of the dignity and rights of Anglo-Jewry, but also satirical novels critical of the community’s materialism and marriage practices.