Women’s poetry in Yiddish first made its presence felt within the wider context of modern Yiddish culture in the late 1910s. Exploring topics from gender in Judaism to queer sexuality and eroticism, women’s Yiddish poetry cemented itself as its own literary corpus with priceless value and contribution to Yiddish literary culture.

Poet Jean Starr Untermeyer’s work was first influenced by her connections with writers Sara Teasdale, Amy Lowell, Carl Sandburg, and Robert Frost. Through her many volumes of published poetry and translations, Untermeyer explored her own personal tragedies and defended women’s right to use personal experience in their art.

Born in Poland, Miriam Ulinover was one of the great Yiddish poets of the early twentieth century. Through her poems, she wove traditional Jewish life in the shtetl into a mythical vision of Jewish life, tradition, childhood, and identity.

Originally a historian and researcher in Heidelberg and Berlin, Selma Stern-Taeubler settled at the Hebrew Union College in Cincinatti after fleeing Nazi Germany. She became the first archivist of the American Jewish Archives at the college and later wrote books of fiction and nonfiction. Despite her contributions to Jewish history, American-Jewish academe has largely undervalued Stern-Taeubler’s work, which continued until her death in 1981.

Although it was never published in her lifetime, Grace Seixas Nathan’s writing showed her passion for her country, her family, and her religion. She began writing poetry at an early age, particularly on Jewish themes. Throughout her life, Nathan corresponded with various friends and relations, blending eloquence and emotion with a fierce wit that bring her era to life.