In her short life, self-taught photographer Aenne Biermann made a profound impact on the arts as a major proponent of “new objectivity,” a rejection of romantic idealism in favor of practical engagement with the world. As a photographer, she explored nature, the quality of light, and precise structures. Her works were part of every major exhibition in Germany at the time.

Photographer and photojournalist Eva Besnyö was born in Budapest in 1910. In the 1930s Besnyö moved to Berlin, where she quickly became successful with numerous exhibitions and commissions and spent time with politically engaged intellectuals and artists. Following the war, Besnyö was active in the Dolle-Mina feminist movement and was awarded the Dr. Erich Salomon Award for her life’s work.

The life of Ellen Auerbach was a constant journey of self-discovery. Auerbach was remarkable both for her avant-garde photography and for her innovative ringl+pit studio where she and fellow artist Grete Stern worked collaboratively. In addition to photography, Auerbach m,ade short films and worked as an educational therapist with learning-disabled children.

The inclusion of feminism in Israeli art was seen as irrelevant in the 1970s, when Israel was seen as a state of gender equality. But in the following decades, amid vast changes in Israeli society, women worked hard to make themselves seen and have their stories told in the wider world of Israeli art.

Eve Arnold was a groundbreaking photographer and writer,  known for photographing fashion in Harlem, the McCarthy hearings, the civil rights movement, and Marilyn Monroe, as well as life in China, England, and the Soviet Union. Arnold was the first American woman accepted into Magnum Photos and is credited with making a remarkable artistic contribution to twentieth-century photography.

Diane Arbus changed how the world looks at photographs and how photographs look at the world. Arbus sought out unconventional subjects such as Coney Island freak shows and gay bars, launching her solo career with a first photo essay for Esquire. For many years she remained a cult figure, and it was not until the 1980s that her work came to be generally accepted.