I once told a friend of mine that I think Grease is horribly sexist because the plot is basically: girl changes herself to get the guy. He responded, “I always thought it was her throwing off negative social norms. It’s not like the whole goody two shoes thing was good.” His sentiments versus my own are the crux of the argument about whether Grease is a sexist movie, or one that supports feminist ideals. 

I grew up singing. My family sang songs every holiday, and we even listened to fun Jewish family songs in the car. My favorite part of Hebrew School every week was when we got to sing, and I looked forward to coming home and serenading my parents with the latest song that I had learned. 

I’ve grown up in the epitome of a noisy Jewish household. For me, a large part of the Jewish cultural experience consists of rapid-fire Shabbos dinner debates that leave you with a sore throat and a full stomach. 

We need to pay strict attention to what messages we get from the media and how those messages perpetuate violence and misogyny. Violent and offensive lyrics, such as those in “Animals,” glorify and romanticize sexualized violence, causing distorted views on healthy relationships. Objectification and violence toward women can too easily become mainstream when popular celebrities endorse this behavior.

When I was younger, I used to love watching Hannah Montana on television. The lead character, played by Miley Cyrus, lived a double life as pop sensation Hannah Montana. Cyrus had so many fans, so many young not-yet-teenagers who looked up to her. I remember going to see her in concert when I was in fourth grade. It was one of the highlights of my year. 

Through her blues music, Holmes inspired people all over America to take a stand for black equality. She performed at numerous rallies, advocating for civil rights for all; in fact, her music is often called the “soundtrack of the Civil Rights movement.”