Abraham Geiger (1810-1874) was one of the most influential Jewish thinkers of the nineteenth century. He was one of the major intellectual leaders and founders of the Reform movement in Germany and a strong supporter of Jews entering European society. As part of his vision of Judaism, he argued for a Judaism oriented around the home and domestic life, but also a Judaism that both elevated and sidelined the women that had long created that domestic life.

Literature by American Jewish women reflects historical trends in American Jewish life and indicates the changing issues facing writers who worked to position themselves as Americans, Jews, and women.

In the Book of Tobit, Edna is Raguel’s wife, Sarah’s mother, and the mother-in-law of Tobias, Tobit’s son. Edna has no biblical namesake; unlike the other women named in Tobit, her name does not evoke images from the Hebrew Bible. Perhaps the author of Tobit means to recall Eden’s idyllic existence, or, more likely, to convey by the name something about the type of woman, wife, and mother Edna is.

Die Deborah was an influential American Jewish newspaper published in German from 1855 until 1902 specifically aimed at German-Jewish middle-class women. The paper’s writers and editors viewed women in high esteem as keepers of moral and spiritual values, and toward the turn of the century they came to support the values of the American feminist movement.

Helene Deutsch was mentored by Sigmund Freud and was the first psychoanalyst to write a book on female psychology. In the 1920s she emerged as one of the most successful teachers in the history of psychoanalysis and in 1924 she became the first woman to head a psychoanalytic clinic.

As in the Bible, Bathsheba plays a secondary role in the midrashim about her husband, King David, and her son, King Solomon. The rabbis view her as a righteous, guiltless woman, both during David’s life and as an advisor to Solomon.

Bathsheba is the married woman whom King David takes in adultery and who, though initially passive, becomes the pivotal figure in his downfall. The king has Bathsheba’s husband, Uriah, slain in battle and then takes her as a wife. While her first child, conceived in adultery, dies, the second, Solomon, becomes heir to the throne as a consequence of Bathsheba’s maneuverings.

Devorah Baron is one of the few Hebrew women prose writers in the first half of the twentieth century to gain critical acclaim in her lifetime. She wrote primarily about Jewish women’s lives, focusing on the challenges women faced in a society that did not value them equally. Her work was in dialogue with European writers, including Chekhov and Flaubert, and with Hebrew modernist writer S. Y. Agnon.

Jewish women assimilating into a changing American society across the twentieth century navigated often conflicting gender roles. As they strove to achieve upward social mobility, they adapted Jewish assumptions of what women, especially married women, should do to accommodate American norms for middle class women. Their collective accomplishments registered in political activism, organizational creativity, strong support for feminism, religious innovation, and educational achievement in the face of antisemitism, stereotypes, and denigration.

Israeli women artists, second generation descendants of Holocaust survivors, have expressed in their art the grim atmosphere of absence, emptiness, and loss they absorbed. Their individual responses to the Holocaust differ in intensity and power.

Israeli writer, actress, and filmmaker Gila Almagor’s acclaimed 1988 autobiographical film Summer of Aviya and its sequel Under the Domin Tree bought attention to post-Holocaust trauma and depression, which were often scorned by Israeli society. Almagor is also a founder of the Israeli Union of Performing Artists, the Tel Aviv International Film Festival, and the Gila Almagor Wishes Foundation.