Barbara Berman Dobkin is the pre-eminent Jewish feminist philanthropist of the end of the twentieth and beginning of the twenty-first century. Her vision, dedication, and philanthropic generosity have transformed the landscape of Jewish women’s organizations and funding in both North America and Israel.

Devorah Dayan was a symbol of the new Hebrew woman in pre-state Israel: she was maternal, rooted in the land, and fulfilled the values of a pioneer society. Her long writing career mostly comprised of autobiographical essays in publications for the women workers’ movement.

Artists began to try to create a new Hebrew dance in the 1920s. Israeli Expressionist Dance flourished first, followed by American modern dance. Israeli dance became professionalized and centralized, and over the past few decades, efforts to promote local creativity accelerated, ethnic dance companies have flourished, and choreographers have taken increasingly political stances.

For many centuries, Cochin Jewish women have sung Jewish songs, both in Hebrew and in the Malayalam language of Kerala, their ancient homeland on the tropical southwest coast of India. Kerala Jews are unusual among halakhically observant communities in the complex intertwining of female and male knowledge and performance throughout their musical repertoire.

Children’s literature in the United States would not be the same without Jewish women. From Sydney Taylor to Judy Blume to Lesléa Newman, Jewish women have written books read by millions of children and teenagers in the U.S. for more than a century.

Miriam Baratz was a founding member of Deganyah Aleph, the first socialist Zionist farming commune in pre-state Israel. She advocated for communal childcare and education, and for a cooperative and egalitarian economic structure. The gender paradigm she helped establish at Deganyah set a precedent of egalitarianism for the entire kibbutz movement.

 While women are often excluded from the historical narrative of Israeli art-making, women artists made significant contributions to the canon of Israeli art throughout the twentieth century. Depicting landscapes, creating ceramics, and painting beautiful portraits, many female artists made significant contributions to the development of the Bezalel Art school and Israeli modern art. In 1952, the artistic Group of Ten was founded, to use a modern language in order to express the Israeli experience and landscape. 

The inclusion of feminism in Israeli art was seen as irrelevant in the 1970s, when Israel was seen as a state of gender equality. But in the following decades, amid vast changes in Israeli society, women worked hard to make themselves seen and have their stories told in the wider world of Israeli art.

Israeli women artists, second generation descendants of Holocaust survivors, have expressed in their art the grim atmosphere of absence, emptiness, and loss they absorbed. Their individual responses to the Holocaust differ in intensity and power.

From her upbringing in a traditional Iraqi family to her work in the Knesset and as Israeli Minister of Health, Shoshana Arbeli-Almozlino’s life spanned countries, careers, and experiences. She will be remembered as an active member of Knesset who fought for the rights of the working class and for the equal status of women in Israeli law.

Shulamit Aloni, Member of the Knesset and Minister, was an important champion of human rights, civil rights, religious freedom, and the Palestinian right to self-determination. As founder and head of the Ratz and then Meretz party, she spearheaded progressive politics in Israel both on the formal level and in civil society for over half a century.

Chava Alberstein is a singer-songwriter who by the end of 2020 had recorded over 60 albums (including eight albums in Yiddish but not including singles and song collections), more than any other Israeli singer. Alberstein has toured globally and is considered one of the most important female performers of Hebrew music, Yiddish folk songs, and children’s songs.

Orit Adato has held many roles throughout her career in security, from head of the Israeli Women’s Corps to Commissioner of the Israel Prison Service. After twenty-eight years of work in security, twenty-four of which were in the IDF, Adato retired with the rank of lieutenant general and founded her own international consultancy firm on security.