Jewish women in vaudeville helped to cultivate a unique American Jewish identity. Headliners Sophie Tucker, Belle Baker, and Fanny Brice were prominent, as were performers such as Nan Halperin and Nora Bayes. Molly Picon was a star of Yiddish theater, and Sarah Bernhardt a star of the stage. The reign of Jewish female vaudevillians ended in the 1930s, but their voices continue to be heard.

Vaudeville legend and Broadway star Sophie Tucker defied convention with her saucy comic banter and music. Tucker became famous internationally for her singing performances and delighted audiences throughout America and Europe with her rendition of “My Yiddishe Momme.” Tucker was proud of her Jewish identity and created the Sophie Tucker Foundation, which supported various actors’ guilds, hospitals, synagogues, and Israeli youth villages.

Jewish women have had a long-standing, complex, often fraught relation to American television. They have had to battle a male-dominated production system and sexist stereotypes, but also have seen significant advances, in front of and behind the screen, resulting from the cable and streaming revolutions and third-wave feminist activism.  

For over a hundred years, Jewish women have been involved in the American theater as writers, actors, directors, designers and producers. The vitality of the Yiddish theater, the splendor of Broadway, the rich tapestry of the regional theater, and everything in between, all owe a debt to the Jewish women who have given of their talents, their energy, their drive, and their dreams.

In revues, nightclub acts, concert halls, and on television, Joan Rivers popularized and perfected a genre of comedy that challenged reigning social conventions. After breaking into Chicago’s comedy scene in 1961 at Second City, Rivers became known for her comedic routines, books, and the talk show for which she won an Emmy for in 1990.

A gifted comedian, Gilda Radner made a name for herself as one of the original cast members of Saturday Night Live. Throughout her comedic career, she often drew inspiration from her Jewish upbringing, thereby achieving a significant breakthrough in Jewish women’s visibility on television.

A lively comic actress, Molly Picon brought Yiddish theater to a wider American audience. She acted in the first Yiddish play ever performed on Broadway and insisted on performing in Yiddish on a 1932 tour of Palestine. Filming on location in Poland, on the eve of World War II, Picon captured a view of shtetl life soon to be erased by the Holocaust.

A brilliant actress and comedian, Judy Holliday won an Academy Award for her performance as the not-so-dumb blonde in Born Yesterday and performed thousands of times on Broadway. Holliday epitomized the duality of her American-Jewish heritage, as she was a successful performer who was investigated for subversive activities in the McCarthy Era due to antisemitic suspicions. 

After beginning her career as a dancer, Goldie Hawn won many awards for her critically acclaimed acting performances. She has been one of the most successful women in Hollywood and, since executive producing Private Benjamin in 1980, she has continued to produce films with her own production company.

Bette Midler went from canning pineapples at a factory in Honolulu to starring in over 20 films, releasing two dozen records, and touring the world with record-breaking live concert performances. Midler got her start at a gay bathhouse in New York, where she developed the campy and confident persona “The Divine Miss M.” Her career in show business spans decades, old and new media, and musical genres.

Anna Held was a performer with a flamboyant reputation for bathing in milk and champagne. As an actor in numerous farces, comedies, and musical comedies, she led a life of showmanship that prevents bibliographical certainty. Held was best known for her relationship with Florenz Ziegfeld, and some credit her with helping him create his famous Follies.

Nan Halperin was known as “The Wonder Girl” for her comic performances and rapid quick changes on the vaudeville stage. Halperin had a highly successful career, making her Broadway debut in 1914 and headlining on Broadway until 1934. She was one of the highest-paid actresses in vaudeville, famous for her “song cycle” performances. 

Jennie Goldstein was one of the foremost Yiddish theater tragediennes, beloved by the public and acclaimed by critics for her acting skills and outstanding voice. During the 1940s, as opportunities in the Yiddish theater waned, Goldstein transformed herself into a comedian.