The mother of seven is a nameless figure from II Maccabees who was arrested and died along with her seven sons for defying the decree of the Seleucid monarch to transgress the commandments of the Torah. Her death is retold in rabbinic and medieval literature, where she is named both Miriam and Hannah.

Drisha was founded in 1979 to provide women with the opportunity to study Talmud and other Jewish texts. It has since expanded to serve students of all genders. Drisha is officially nondenominational but has served as a cornerstone of the Orthodox feminist movement. It has been joined by a number of liberal observant New York institutions that promote intense engagement with Jewish text and observance for women and men.

The story of the five daughters of Zelophehad provides legitimation of a limited right of Israelite women to inherit land. The story celebrates women’s boldness and at the same time offers comfort for men who have the misfortune (from the Bible’s androcentric point of view) to have no sons.

When the men of Sodom demand sexual relations with two messengers from God, Lot offers his daughters instead. The daughters, however, escape with Lot and live in a cave after Sodom is destroyed. There they have relations with their father and give birth to his sons.

The rabbis depict the daughter of Pharaoh, who rescued the baby Moses, as a righteous figure who did not follow her father’s wicked ways but rather converted and ceased worshiping idols. She was highly praised by the Rabbis, and the midrash includes her among the devout women converts and those who entered the Garden of Eden while still alive.

The midrash rains many praises on the daughters of Zelophehad, describing them all as equally wise and virtuous, as well as exegetes. The midrash also says that they are mentioned by the Patriarchs and are so righteous that they are blessed with children despite their old age.

The story of the concubine at Gibeah, who is murdered when her husband sends her out to a crowd of Benjamites, is one of the most shocking narratives in the Bible. The rabbis do not blame the unnamed woman for her fate and the ensuing crisis, instead placing the blame at the feet of the Levite and the leaders of Israel.

Incorporating biblical themes and Sephardic music into her dances, Yardena Cohen helped create a uniquely Israeli artistic culture. Cohen opened her Haifa dance studio in 1933 and maintained it for some seventy years, stressing creative dance. She continued to teach well into her nineties and in 2010 was awarded the Israel Prize for Lifetime Achievement.

Katherine M. Cohen was a sculptor and artist dedicated to advocating for equality for women in the arts. Comfortably situated in the community of Philadelphia’s Jewish elite, Cohen created many commissions for the community reflecting Jewish themes and illustrated a Jewish children’s book. Cohen made a speech at the Chicago World’s Fair advocating for the support of artists, and specifically female artists.

Bilhah was the maidservant of Rachel and mother of Dan and Naphtali. The rabbis fill in details about her life, her relationship with Jacob, and the confusing incident between Bilhah and Reuben, Jacob’s eldest son.

Bilhah is given to Rachel as a maid and would later serve as a surrogate mother for Rachel when she could not conceive. Though the story records none of Bilhah’s thoughts or words, she gives birth to two of Jacob’s sons for Rachel, Dan and Naphtali, and is remembered as one of the ancestresses of the Israelites.

The Ben Ish-Hai, R. Joseph Hayyim b. Elijah, was a well-known Baghdadi Torah scholar. He wrote many responsa and halakhic books, which included his rulings on women’s halakhot.