Controversial both during and after her life, Lillian Hellman was one of the leading women of letters of mid-century America and a pioneer woman playwright. Hellman displayed courage not only in writing powerful plays like The Children’s Hour but also in her public refusal to name colleagues to the House Un-American Activities Committee.

Dame Miriam Rothschild was a renowned British natural scientist who published over 300 scientific papers throughout her lifetime, making groundbreaking contributions to the fields of entomology, zoology, marine biology, and wildlife conservationism. In 1985 she was made a Fellow of the Royal Society and credited for her work in the histology, morphology, and taxonomy of fleas.

Esther Leah Medalie Ritz defended human rights throughout the myriad conflicts of the twentieth century, from speaking out against fascism in the 1930s to participating in Israeli-Palestinian dialogue in the 1980s.

Writer, poet, critic, and screenwriter Dorothy Parker became known for her fierce wit as Vanity Fair’s drama critic in 1918 and as a founder of the “Algonquin Round Table.” She wrote multiple successful volumes of poetry and short stories and co-wrote the screenplay for the original A Star Is Born (1939). Parker was also committed to activism and numerous political causes.

Jewish women were crucial both to changes in post-emancipation Italian Jewish life and to the overall condition of women in modern Italy. This article reflects on the changes in the role of Jewish women in modern Italy within the Jewish press and institutions, their activism in shaping a secular civil society, and their experiences through the Fascist regime, the trauma of the 1938 Racial laws, emigration, resistance, deportation, survival, and reconstruction.

A passionate idealist, Mire Gola organized anti-German resistance in World War II as a Communist in occupied Poland. She inspired others with her eloquent poetry and her fortitude through imprisonment and torture.

Focusing on difficult roles written for older women, Therese Giehse earned a reputation as a talented actress who brought Bertolt Brecht’s works to life. She co-founded an anti-Nazi literary cabaret called The Peppermill in 1933 and was known for touring successful anti-fascist theaterical works. She had a long collaboration with Brecht and developed a reputation as an “intellectual popular actress.”

German-born Recha Freier founded Youth Aliyah in 1933, which assisted in sending Jewish European teenagers to Palestine prior to World War II to be trained as agricultural pioneers on kibbutzim. Although she was responsible for saving the lives of many thousands of Jewish youth, Freier’s efforts were not officially acknowledged until 1975, when she was eighty-three years old.

Ruth First was a prolific writer and her penetrating investigative journalism exposed many of the harsh conditions under which the majority of South Africans lived. As various restrictions prevented her from continuing her work as a journalist Ruth First became more and more involved with the underground movement that was changing its tactics from protest to sabotage.

A riveting public speaker, masterful politician, skilled organizer, and administrator, Fanny Fligelman Brin, who served two terms as president of the National Council of Jewish Women, from 1932 to 1938, is best remembered for her work on behalf of world peace during the interwar years.

Formally created in 1938 and 1939, the Baum group was a German anti-Fascist resistance organization. Initially its work consisted of making and distributing anti-Fascist propaganda, but on May 18, 1942, the Baum group joined the effort to set fire to an anti-Soviet exhibit at a public park in Berlin. The damage was minimal and shortly thereafter, the Gestapo arrested hundreds of Jews in retaliation and twenty-two members of the Baum group were executed.

A leading spy for the Nili ring during World War I, Sarah Aaronsohn fought to free Palestine from Turkish rule and withstood torture for her ideals; she committed suicide after arrest by Turkish authorities and was later described as a Jewish Joan of Arc. The semi-military role Sarah carved for herself, her activity, and her voluntary death made her an icon and a model of a new “Hebrew” femininity.