Among art lovers in Israel and in the inner circles of artists, Aviva Uri is considered a legend who shaped generations of artists in Israel. Born in Safed, Uri was known for her abstract scribbles that expressed anxiety and distress, as well as her later depictions of mourning, death, and destruction. In 1952, she received the Dizengoff Prize and in 1957 she exhibited her work at the Tel Aviv Museum. 

 While women are often excluded from the historical narrative of Israeli art-making, women artists made significant contributions to the canon of Israeli art throughout the twentieth century. Depicting landscapes, creating ceramics, and painting beautiful portraits, many female artists made significant contributions to the development of the Bezalel Art school and Israeli modern art. In 1952, the artistic Group of Ten was founded, to use a modern language in order to express the Israeli experience and landscape. 

The inclusion of feminism in Israeli art was seen as irrelevant in the 1970s, when Israel was seen as a state of gender equality. But in the following decades, amid vast changes in Israeli society, women worked hard to make themselves seen and have their stories told in the wider world of Israeli art.