Rebecca Solomon’s success as a professional artist was remarkable in the mid-nineteenth century, a time when women artists were the exception rather than the rule. While her artistic style conformed to the most popular art of the time, she used her visual images to critique ethnic, gender, and class prejudice in Victorian England.

 While women are often excluded from the historical narrative of Israeli art-making, women artists made significant contributions to the canon of Israeli art throughout the twentieth century. Depicting landscapes, creating ceramics, and painting beautiful portraits, many female artists made significant contributions to the development of the Bezalel Art school and Israeli modern art. In 1952, the artistic Group of Ten was founded, to use a modern language in order to express the Israeli experience and landscape.