In her hugely popular fantasy series, Sarah J. Maas puts Jewish texsts and biblical women at the forefront. 

My grandfather starts every Pesach Seder with the same opening lines. He talks about how he can remember being at the Seder table with his grandfather, who was once at a Seder table with his grandfather, and if you follow the generations back only a few more times you are right back at the original Pesach celebration, the escape from Egypt. These few words add so much meaning to my Pesach experience; I feel a direct relation to the Jews who escaped slavery so long ago. But while I love being able to draw this connection to the ancient past, something has always struck me about this tale: how come women are not part of this story of family linkage?

The new Reform version of Mi Chamocha specifically mentions the prophet Miriam alongside her brother Moses. It’s one of several changes in recent years to help make the traditional prayers more balanced in gender. This one stands out, however, because Miriam has without a doubt become the star of the Mi Chamocha. At my temple, we often segue from that prayer right into “And the women, dancing with their timbrels...” We joyously praise God and women at the same time, and it is all thanks to Miriam.

Over the past few decades, Miriam has become the most prominent symbol of feminism in Judaism, and I am proud to say that I share her name.

In recent years, Miriam has become regular presence at the Passover table.  For some she is there in the form of Miriam’s cup, a ritual addition to the Passover Seder created by Jewish feminists. For others, she is invoked through Debbie Friedman’s joyous song, an occasion, at many seders, for women to sing and dance, continuing or reexperiencing the celebration of freedom, led by Miriam, upon crossing the Red Sea.   

Big sister. Song leader. Outspoken challenger. Prophet. In her many roles, Miriam is integral to the story of Exodus. Her legacy is complex, dynamic, and hopeful.

Last Pesach, I heard a sermon given in which my friend and rabbi used the phrase “faith is packing your timbrel” and I got super fixated on this concept and have found it running through my head in difficult times, a sort of mantra to reflect upon.

Just before we drink the second cup of wine in the Passover seder, we speak of three symbols considered indispensible to the holiday's meaning: the shank bone, the matzah, and the bitter herbs.

The ultra-orthodox establishment in Israel is reportedly losing sleep over women’s demands for equality.

“The world is woven through us/I swear I wont forget/how her fingers hold the thread.” This is the final line of the song “Rubies,” off the amazing sophomore album "Half You Half Me" by the group Girls in Trouble, released on JDUB records earlier this month.

When we are first introduced to Miriam in the Bible, the times are bleak. The Egyptian Pharaoh has decreed that all baby boys born to the Hebrew slaves be immediately put to death.

This Passover, the Jewish Women's Archive and JewishBoston.com have teamed up to bring you a downloadable, open source, fully inclusive Haggadah that weaves women's voices throughout the seder.

In collaboration with JewishBoston.com, JWA are putting the finishing touches on a new Haggadah that highlights women's voices. (Keep an eye out for it next week.) As we've been thinking about seders and traditions and the different ways we could include women's voices in the Haggadah we're creating, I wanted to hear more from you about your traditions and how you include women's voices.

I'm sure I'm not alone when I say that Passover is my favorite holiday.