Women’s poetry in Yiddish first made its presence felt within the wider context of modern Yiddish culture in the late 1910s. Exploring topics from gender in Judaism to queer sexuality and eroticism, women’s Yiddish poetry cemented itself as its own literary corpus with priceless value and contribution to Yiddish literary culture.

Miriam Dworkin Waddington was a distinguished and pioneering Canadian poet and literary critic. Her original poetry included many explicit references to her Jewish secular outlook, and other poems were infused with a commitment to social justice that drew on that same source. Impatient with the Canadian “canon” of her time, she introduced to wider audiences the works of A.M. Klein and poets writing in Yiddish with her literary criticism and her translations.

Ida Maze was a “communitarian-proletarian” Yiddish writer who turned her Montreal home into a magnet for Yiddish writers and culture. After emigrating from Belarus to North America at age twelve in 1905, Maze began writing lyrical poems that were original and inspiring to young people.

Rokhl Häring Korn is a major figure in modern Yiddish literature. She published eight volumes of poetry and two collections of fiction, much of which focused on themes of homelessness, the upheaval of war, and her experience during the Holocaust.

The positive aspect of the Canadian mosaic has been a strong Jewish community (and other communities) which nurtured traditional ethnic and religious values and benefited from the talent and energy of women and men restrained from participation in the broader society. The negative aspect has included considerable antisemitism and, especially for women, the sometimes stifling narrowness and conservatism of the community which inhibited creative and exceptional people from charting their own individual paths.