The Encyclopedia features over 1,700 biographies, 300 thematic essays, and 1,400 photographs and illustrations on a wide range of Jewish women through the centuries -- from Gertrude Berg to Gertrude Stein; Hannah Greenebaum Solomon to Hannah Arendt; the Biblical Ruth to Ruth Bader Ginsburg.
Mia Arbatova (née Hirshwald) was one of the leading pioneers of classical ballet in Israel.
A woman and a kibbutznik, Chaya Arbel embodies two under-represented sectors on the Israeli musical composition scene.
A justice on Israel’s Supreme Court since May 2004, Edna Arbel was born in Jerusalem on June 22, 1944.
Like the biographies of other figures prominent at the time of the establishment of the state of Israel, that of Shoshana Arbeli-Almozlino parallels the history of Zionism and the founding of the state, from her childhood in a traditional Iraqi family and membership in the Zionist underground in Iraq, through her immigration to Palestine and the founding of Kibbutz Neve Or, to her term as a member of the Knesset and her services as Israel’s Minister of Health.
Diane Arbus changed how the world looks at photographs and how photographs look at the world. Best known for her pictures of “freaks” and eccentrics such as “The Jungle Creep,” “The Marked Man,” and nudists, she also changed the world of children’s fashion photography and celebrity photography.
The mass-immigration from Europe after 1933 brought many architects, amongst whom were a number of women.
A political theorist with a flair for grand historical generalization, Hannah Arendt exhibited the conceptual brio of a cultivated intellectual, the conscientious learning of a German-trained scholar, and the undaunted spirit of an exile who had confronted some of the worst horrors of European tyranny.
The Jews who arrived in Argentina in the first waves of immigration at the end of the nineteenth century were as concerned about their children’s education as about earning a livelihood and organizing their community.
Fear of Jewish white slavery, the sexual traffic in immigrant Jewish refugee women, often conducted by Jewish men, was a topic that preoccupied Jewish communities in Europe and immigrant communities in North and South America from the 1880s until the outbreak of World War II.
Argentina has the largest Jewish presence in Latin America and the third largest in the Western hemisphere. It features sizable numbers of Sephardim, North Africans, and Arabic speakers, aside from the Ashkenazic majority.
The networks of Jewish philanthropic groups, both in the capital and in the interior provinces, supported a wide range of charitable institutions to help keep families together.
The Sephardic communities that settled in Argentina in the late nineteenth and early twentieth centuries came from various areas in the Sephardi world.
Argentine Jewish women were important players in the struggle for the Jewish homeland. They participated in women’s committees of Zionist societies, in Zionist parties and in three independent women’s Zionist organizations.
Largely self-taught, Arnold was the first American woman to be accepted into Magnum Photos, a cooperative photography agency that in the 1950s helped photographers gain artistic and financial control of their work. Inspired by Magnum members such as Robert Capa and Henri Cartier-Bresson, Arnold took photographs for major newsmagazines such as Life. Her well-known studies of China, women, political figures like Senator Joseph McCarthy and Malcolm X, and movie stars like Joan Crawford and Marilyn Monroe have placed her among the top American photographers.
One of Israel’s foremost scientists and immunologists, Professor Ruth Arnon is the incumbent of the Paul Ehrlich Chair in Immunology at the Weizmann Institute of Science in Rehovot.
Under Arnon’s direction the Kibbutz Contemporary Dance Company has toured throughout Israel, the United States, Europe and the Far East. In 1996 she became the director emerita of the Kibbutz Dance Company.
Fanny von Arnstein, patroness of music, arts and literature, was the outstanding salonnière of her time in Vienna. The high esteem in which she was held contributed much to the growing acceptance of Jews in the high society circles of Vienna.
Margaret Gene Arnstein was a principal architect of the American nursing profession. Renowned for her work in public health, Arnstein also advanced nursing education and research.
“And Mrs. Arons gave in full measure of herself.” These words from a history of the Brooklyn Section of the National Council of Jewish Women (NCJW) characterize Jeannette Arons’s dedication to the welfare of the Jewish community. In conjunction with the Brooklyn Section and national offices of the NCJW, she worked tirelessly to expand and improve the work of this prominent service organization.
Launching a business devoted to women’s skin care in 1959 with $400 she had earned from baby-sitting, Arpel is now president and CEO of Adrien Arpel, Inc., an enterprise with approximately 500 salons across the United States and Canada.
It is now generally considered that while men and women shared the same fate and their daily existence in the internment and concentration camps was more or less similar, differences between the sexes did exist. Such differences are reflected in the works of art produced in the camps.
American Jewish women have made major contributions to the art world as artists, photographers, gallery owners, museum curators, art critics, art historians, and collectors at least since the beginning of the twentieth century.
In narratives or abridged cycles more or less faithful to the biblical text, art has portrayed biblical women as role models and reference, occasionally adding exegetical elements both Christian and Jewish. Although the text of the Bible became fixed at different dates and in various versions, these images are not fixed, but reflect the ebb and flow in society’s attitudes towards women and their role.
Arthur will probably always be best known for portraying liberal Maude Findlay, the “women’s libber” who stuck it to Archie Bunker on television’s All in the Family and then dominated her own situation comedy, Maude, throughout the 1970s. Arthur’s imperious and controversial Maude left a lasting imprint on American television and feminism.
The earliest recorded native Anglo-Jewish artist was Catherine da Costa (1678?–1756), daughter of the physician to Charles II, who studied under the famous drawing master and engraver Bernard Lens and painted portraits of her family and other members of the early Anglo-Jewish community in a charming, though somewhat naive style. Not until a hundred years later did another Jewish woman, Rebecca Solomon, make any impact whatsoever on the English art scene.
How to cite this page
Jewish Women's Archive. "Encyclopedia." (Viewed on September 25, 2017) <https://jwa.org/encyclopedia>.