When she died in 1847 at the age of thirty-one, Grace Aguilar enjoyed a reputation as a poet, historical romance writer, domestic novelist, Jewish emancipator, religious reformer, educator, social historian, theologian, and liturgist.
A Brazilian-born daughter of immigrants, Frida Alexandr (born Frida Schweidson) is the only woman writer to describe those Jewish cowboys from the viewpoint of one who lived among them. Her only published book was the novel Filipson, its title being the name of the farm where she was born on December 29, 1906.
She has appeared in approximately forty Israeli feature films, dozens of stage plays and television dramas. Her starring roles in films include Siege, 1969; Highway Queen, 1971; House on Chelouche Street, 1973; My Mother the General, 1979; Summer of Aviya, 1988; Life According to Agfa, 1992; Sh’chur, 1994; and Passover Fever, 1995.
Already in her first book of stories, Marguerita’s Nightly Charities (Hebrew, 1969), Almog was remarkable for her awareness of the condition of “non-belonging,” which she had apparently experienced first hand in her birthplace, Petah Tikvah, one of the earliest Jewish settlements in Palestine.
The particular insights of Jewish women writers and their intimate dilemmas of contemporary life throw light on how society and family have changed for this new generation of writers. The novels attract a larger readership than anyone could have predicted.
One of the many strengths of Anissimov’s works lies in their outspoken presentation of the sexual and emotional relationship between the sexes from the point of view of the woman. In this respect, Anissimov’s works are intriguing complements to the American Jewish novel of the 1960s and 1970s.
Although the Bible does not have much to say about Asenath (Osnat, LXX: Aseneth), the wife of Joseph, she became the main character of a widely disseminated Jewish novel from Hellenistic or Roman times, now called Joseph and Aseneth (JosAs).
A religious German-Jewish writer, intellectual, and ardent Zionist, Bertha Badt-Strauss was one of the first women to earn a doctoral degree in Prussia. She was a prolific writer, publishing hundreds of articles over the course of her lifetime, and was very involved in the “Jewish Renaissance” cultural movement. She was dedicated in particular to illuminating the diverse experiences of Jewish women past and present.
Hannah Trager, writer and communal activist, was born in London to Zerah (1843–1935) and Rachel Lea Barnett (1842–1924).
Devorah Baron, who is considered to be the first female to write in Modern Hebrew, was born on December 4, 1887, in the small town of Uzda (50 km SSW of Minsk), where her father served as a rabbi. While a number of women had overcome the odds and written in Hebrew before her, Devorah Baron was the first woman to make a career for herself as a Hebrew writer.
Baruch’s foremost concern, expressed through a wide range of professional activities as an educator, author, psychologist, and community leader, was the healthy emotional development of the young child with the full understanding that physical, intellectual, and emotional development are all interrelated.
Baum frequently depicted powerful, self-reliant women caught up in the social and economic turbulence of twentieth-century Europe and America.
For more than fifty years Hemdah Ben-Yehuda, a journalist and author, was involved with and supervised the publication of her husband Eliezer Ben-Yehuda’s great work, an historical dictionary of Hebrew (The Complete Dictionary of Ancient and Modern Hebrew, vol. 1: 1908; vol. 17: 1958).
Of the three Jewish communities in India—the Bene Israel, the Cochin Jews, and the Iraqis or Baghdadis—that of the Bene Israel of Maharashtra in western India was by far the largest. Numbering perhaps twenty thousand at its peak in the early 1950s, the majority of the Bene Israel have since left their homeland—most going to Israel—so that only about five thousand remain in India.
In an article commemorating Jean-Paul Sartre written shortly after his death, Lili Berger emphasized his role as a writer engagé and observed: “Yes, he made mistakes, but what active person has not?” This description could easily fit Lili Berger herself. A prolific literary critic and essayist who wrote fiction, short stories and novels, Berger was also politically engaged. She wrote to educate, instruct, expose and memorialize.
In presenting her plurality as an Ashkenazi Jew, a Mexican, a woman and a playwright, Sabina Berman (b.1954 Mexico) accomplishes far more than simply allowing her readers to identify with her hybridity and search for self. She creates a space where fragmented memories are fleshed out by the imagination and the desire to recreate the past in order to make sense of the present.
Anne Bernays’s work as novelist and nonfiction writer is notable for its literary quality and as a running commentary on manners and customs.
The French actress Sarah Bernhardt, named by her fans the “Divine Sarah,” is recognized as the first international stage star.
Miriam Bernstein-Cohen, actor, director, poet and translator, was born in Kishinev in 1895.
This article focuses on the fate of biblical women in post-biblical times.
During her brief life, Yiddish writer Chaske Blacker worked in radio, tobacco and dress factories, and reared two children while supporting her poet-husband. It is no surprise that her stories mainly focused on the working class. She produced two novellas and a dozen short stories while still acting as the main breadwinner for her family.
Blanche Bloch was a pioneer on behalf of women in music. Her efforts date back to the early 1930s when she was a founding member of the New York Women’s Orchestra.
Artist and community activist Helen Abrahams Blum was born August 17, 1886, in Philadelphia to Simon and Theresa Abrahams.
The perennially best-selling author Judy Blume is a rare phenomenon in children’s literature.
“That genius imp, that laughing, hilarious, tortured elf” was how Truman Capote described the writer Jane Bowles, who, with her composer-writer husband Paul Bowles, became the center of an avant-garde circle in Morocco. Her darkly comic, original work was admired by writers such as Capote, Tennessee Williams, John Ashbery, and Alice B. Toklas.