Jessica Cohen
Jessie Cohen served as editor of the Jewish Review and Observer for most of her life, maintaining an important resource for Jews in the city of Cleveland. She ran the Jewish Review and Observer for decades, finally retiring due to ill health, and remained editor emeritus until her death in 1945.
Katherine M. Cohen
Katherine M. Cohen was a sculptor and artist dedicated to advocating for equality for women in the arts. Comfortably situated in the community of Philadelphia’s Jewish elite, Cohen created many commissions for the community reflecting Jewish themes and illustrated a Jewish children’s book. Cohen made a speech at the Chicago World’s Fair advocating for the support of artists, and specifically female artists.
Naomi W. Cohen
Natalie Cohen
Nina Morais Cohen
Pamela Cohen
Rosalie Cohen
Rose Gollup Cohen
Sasha Cohen
Selma Jeanne Cohen
It was Selma Jeanne Cohen’s mission in life to make dance scholarship a respected field, taking its place with the study of the other arts both in society and, particularly, the university. As a writer, editor, and teacher, she was a leader in transforming dance history, aesthetics, and criticism into respected disciplines. Cohen founded the Society of Dance History Scholars and received the first Dance Magazine Award ever given to a dance historian.
Tamara Cohen
Veronika Cohen
Veronika Wolf Cohen has shaped Israeli minds in two very different ways, by developing national music curricula and by leading innovative Israeli-Palestinian dialogue groups.
Yardena Cohen
Incorporating biblical themes and Sephardic music into her dances, Yardena Cohen helped create a uniquely Israeli artistic culture. Cohen opened her Haifa dance studio in 1933 and maintained it for some seventy years, stressing creative dance. She continued to teach well into her nineties and in 2010 was awarded the Israel Prize for Lifetime Achievement.
Ze'eva Cohen
Ze’eva Cohen is a Yemenite-Israeli-American dancer and choreographer who redefined what it means to be a Jewish performer. She was a leader in the world of postmodern dance in New York between the 1960s and 1990s, a founding member of Dance Theater Workshop, and founding director of the dance program at Princeton University. She choreographed for companies all over the world, performed in the work of countless contemporary choreographers, published articles in English and Hebrew, and influenced generations of dance students.
Dianne Cohler-Esses
Fannia M. Cohn
Fannia M. Cohn was one of the leading Jewish women trade union activists in the United States. Drawing on her Russian Jewish cultural traditions, she pioneered the development of educational programs within the International Ladies Garment Workers Union (ILGWU).
Felice Cohn
Felice Cohn was one of Nevada’s first women lawyers in the early twentieth century, an author of suffragist legislation in Nevada, and one of the first women allowed to argue before the United States Supreme Court.
Linda Cohn
Linda Cohn broke barriers in 1981 when she became one of the first female sportscasters in America.
Mildred Cohn
College Students in the United States
Colonial Entrepreneurs: A Quartet of Jewish Women
Esther Pinheiro, Esther Brown, Rachel Luis, and Simja De Torres were widows, each held property, and each was at one time or another a merchant. Although they have been overlooked by history, written records that document their activities demonstrate the lives of well-off colonial Jewish women.
Colonial Period in the United States
Jewish women in colonial America led varied lives, with some occupying traditional roles as mothers and wives and others remaining single. Some ran their own businesses and others worked as servants for Jews with more money. Both in and out of the synagogue, women played a crucial role in early American Jewish communities.
Betty Comden
Betty Comden wrote lyrics and librettos for enduring and beloved musicals like Singin’ in the Rain and Peter Pan, winning some of the industry’s highest honors. Comden worked with her writing partner, Adolph Green for almost fifty years on different musicals, winning their final Tony Award together for The Will Rogers Follies in 1991.
Jewish Women’s Comics and Graphic Narratives
The history of Jewish women’s comics and graphic novels can be traced back to early and mid-20th-century progenitors. With the underground comics scene of the late 1960s/early 1970s, several Jewish women laid the groundwork for the themes, styles, and communal ties that would be taken up by the post-underground. In the 21st century, the works of Jewish women in comics and graphic novels is booming.

