Not a great deal is known about this prominent orthodox Jewish writer, who had a huge readership in her day. She was born in Amsterdam, the daughter of a doctor, and became a schoolteacher in the remote provincial village of Deil. In 1919 she married the Groningen Rabbi Abraham Asscher (d. 1926) and moved north from Amsterdam, where she had been briefly involved in voluntary work. Clara had met her husband through a network of children’s charity activists working in poor Jewish neighborhoods. As she later explained, they had been reaching out to the Lumpenproletariat community and never came in contact with socialism. In 1918 she published her first book, a collection of Jewish children’s songs. Her aim was to acquaint Jewish children with the Jewish tradition, which she and her husband felt was under severe threat from assimilation.
As an Orthodox woman, she believed girls should be raised as good housewives and mothers. We find her name in the lists of those giving needlework classes to Jewish girls from deprived families. It was here that she started to tell stories, enlivening the girls’ long evenings with fantasies about traditional Jewish life, Van twee Joodsche vragertjes (Too Small to Ask, Amsterdam 1919) and the past.
In 1926 her husband died, but she stayed in Groningen and earned a living as a writer. In 1966 Danseres zonder Benen (Dancer without Legs) appeared, a book that describes her problems with raising her children, her psychological problems and her attitude to religion. In 1940 she returned to Amsterdam to work in the Jewish school, where there was a shortage of teachers. She published regularly in Het Joodse Weekblad (The Jewish Weekly), a journal set up by the Jewish Council, until the censorship became too much for her. She was arrested in May 1943 and sent to Bergen Belsen. She was sent to Palestine in July, 1944 as part of an exchange for German nationals interned there by the British mandatory government.
In the 1930s, Clara Asscher Pinkhof wrote stories for children and articles on charity work for newspapers and weeklies, Rozijntje van Huis (Rosi, The Little Raisin Leaves Home, Amsterdam 1934). After the war she continued her work on Sterrekinderen (Star Children), which she had begun before her deportation. She returned briefly to Amsterdam but soon went back to Israel.
Her motivation for writing was not simply a question of material need. She also wanted to share with a larger audience her feelings about what had happened to those she had worked with and loved. Sterrekinderen (Dutch 1946; German 1961; English 1987), her most moving book, which was translated into a number of languages, expressed her love for the children playing in the sun on the eve of the disaster. She portrays their poverty by describing their ragged clothes, the dirt on their bodies, their ignorance and their joy at playing together in the street; they don’t yet know what is going to happen to them.
Clara Asscher Pinkhof was a nostalgic and realistic writer, who had not read much other literature. When I interviewed her in the early eighties, at her last home in Haifa, she told me that she did not need many books. It was enough that she had so many images in her head. She showed me a shelf of the many editions and translations of her own work. She was filled with stories, she said.
Clara Asscher Pinkhof never became a sophisticated writer, but she is still worth reading. She is at her best in Danseres zonder Benen. As the title suggests, the theme here is loss, dealt with metaphorically. She died in 1984 in Haifa, some years after our last interview, at the age of eighty-eight.
SELECTED WORKS BY CLARA PINKHOF
Star Children. Translated by Terese Edelstein and Iner Smidt. Detroit, MI: 1987.
How to cite this page
Leydesdorff, Selma. "Clara Asscher Pinkhof." Jewish Women: A Comprehensive Historical Encyclopedia. 27 February 2009. Jewish Women's Archive. (Viewed on July 23, 2019) <https://jwa.org/encyclopedia/article/pinkhof-clara-asscher>.