Rosina LhÉvinne

1880 – 1976

by Jane Gottlieb

Rosina Lhévinne was one the most noted pianists of the twentieth century and a highly influential teacher. She was a virtuoso performer who delayed a solo career until age seventy-six, twelve years after the death of her husband, pianist Josef Lhévinne. One of the last artists in the nineteenth-century Russian pianistic tradition, Lhévinne taught some of the most famous musicians of the twentieth century, including Van Cliburn, John Browning, Mischa Dichter, Adele Marcus, Ralph Votapek, Martin Canin, David Bar-Ilan, James Levine, and Arthur Gold.

She was born Rosina Bessie, in Kiev, Ukraine, on March 29, 1880, the younger of two daughters of Maria (Katch) and Jacques Bessie, a Dutch diamond merchant. There were violent anti-Semitic riots in Kiev during her first year, and the Bessies moved to Moscow in 1881 or 1882. At age six, she began to study piano privately at home; at age nine, she was accepted into the Moscow Conservatory. Admission to the Conservatory was extremely competitive at that time, especially for Jews, since Czar Alexander III had instituted a quota that limited the number of Jewish students. Although her circumstances were profoundly affected by her Jewish heritage, her parents were not observant and she did not grow up with a strong religious connection.

Rosina studied with Remesov in the lower school of the conservatory, and later with Vasily Safonov in the upper school. She also met Josef Lhévinne at the school; he was six years her senior and one of the conservatory’s most accomplished piano students. Rachmaninoff and Scriabin were among their classmates.

She made her public orchestral debut at age fifteen, playing Chopin’s Piano Concerto No. 1 in E Minor with the Conservatory Orchestra, conducted by Safonov. In 1898, she graduated from the Moscow Conservatory with a gold medal—the youngest woman ever to receive the school’s highest honor. She and Josef Lhévinne were married a week after her graduation.

During the first year of their marriage, the Lhévinnes made their two-piano debut in Moscow. At this time, Rosina Lhévinne decided to abandon her solo career and devote all of her musical energies to the support her husband’s. They lived in the Russian city of Tiflis from 1899 to 1901, in Berlin during 1901, and returned to Moscow in 1902 when Josef Lhévinne was appointed to the faculty of the Moscow Conservatory.

Josef Lhévinne made his first American tour in 1906. Their first child, Constantine (later called Don), was born in Paris on July 21, 1906. The Lhévinnes made their American two-piano debut in Chicago on February 17, 1907. She firmly refused to play solo works during their two-piano concerts, wanting the spotlight to be primarily on her husband.

Josef Lhévinne continued to tour Europe and the United States from 1907 to 1914. The family made their home in Wannsee, a suburb of Berlin, where he taught a large number of piano students, many of whom were American. Rosina Lhévinne filled in for him while he was away on tour. When World War I broke out, the Lhévinnes were subjected to internment in Wannsee because they were Russian citizens. Their second child, Marianna, was born in a hospital in Berlin, Germany, in July, 1918.

Immediately after the war, the Lhévinnes immigrated to the United States and settled in Kew Gardens, Queens. In 1924, both were invited to join the faculty of the newly established Juilliard Graduate School. They shared the same studio, and she was considered to be the better teacher by many of their students.

Lhévinne was devastated by the sudden death of her husband on December 2, 1944. She also feared that Juilliard would not renew her teaching contract without him. In fact, her teaching and performing careers blossomed after her husband’s death. She moved from Queens to Manhattan to be closer to Juilliard and expanded her roster of students. Her fame grew as her students began to win many national and international piano competitions.

Lhévinne did not resume her own solo performing career until 1956. On August 25 of that year, she performed Mozart’s Piano Concerto in C Major, K. 467 with the Aspen Festival Orchestra. During the following seasons she performed with orchestras around the country. In January of 1963, a few months before her eighty-third birthday, Lhévinne performed Chopin’s Piano Concerto No. 1 in E Minor—the same work she had played at her debut sixty-one years earlier—in four performances with the New York Philharmonic, under the direction of Leonard Bernstein, to great critical acclaim.

Rosina Lhévinne taught at Juilliard through the 1975–1976 academic year. She died on November 9, 1976 at age ninety-six in Glendale, California, at the home of her daughter. In a tribute to Lhévinne after her death, Peter Mennin, then the president of the Juilliard School, said, “She was quite simply one of the greatest teachers of this century. With her passing, a whole concept of teaching and performing goes with her.”


DAB 10; Highstein, Ellen. “Lhévinne, Rosina.” New Grove Dictionary of American Music (1986); Lhévinne, Rosina. Biographical file. Juilliard School Archives, The Juilliard School, NYC; Wallace, Robert K. A Century of Music-Making: The Lives of Josef and Rosina Lhévinne (1976).


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A fascinating profile of Mme. Lhevinne appeared in the January 12, 1963 issue of The New Yorker. http://www.arkatovproductions....

Mme. Lhevinne was an outstanding teacher. However, Adele Marcus did not study with her. Miss Marcus was, rather, a pupil of Josef Lhevinne.

Pianist Rosina Lhévinne and her student Van Cliburn, circa 1958.

Courtesy of The Juilliard School

How to cite this page

Gottlieb, Jane. "Rosina Lhévinne." Jewish Women: A Comprehensive Historical Encyclopedia. 27 February 2009. Jewish Women's Archive. (Viewed on August 15, 2020) <>.


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