Ofra Haza

1957 – 2000

by Nathan Shahar

Ofra Haza was born on November 19, 1957 in the Hatikvah quarter of Tel Aviv to parents who had immigrated from Yemen with their eight sons and daughters. Her mother, already a singer in Yemen, would often perform at family celebrations. Haza herself sang from an early age and was a soloist in her local school choir.

As part of the neighborhood program of the Tel Aviv Municipality, the Hatikvah Quarter Theater Workshop was established under the leadership of Bezalel Aloni. Haza was accepted into the workshop at the age of twelve and it was through this program that in 1973 (1974?) she sang the song “Ga’agu’im” (Yearning), which became famous, reaching first place on the hit parade. At the Lit. "Eastern." Jew from Arab or Muslim country.Mizrahi Music Festival of 1974, the song “SabbathShabbat ha-Malkah,” performed by Haza, took third place. Following her army service, Haza decided to make singing a career.

Since Israel’s major songwriters initially rejected Haza’s requests to write songs for her, her manager Bezalel Aloni began composing works for her himself. In 1979, Haza appeared in the film Shlagger (Hit) performing the song “Shir ha-Freha,” written by Assi Dayan and Svika Pick. The song became a huge hit and Haza led the hit parades on all the radio stations, earning the title “Singer of the Year” four times from 1980 to 1983.

In Israel’s “Pre-Eurovision” song competition in 1983 Haza performed the winning song, entitled “Hai,” by Ehud Manor and Avi Toledano. She traveled to Germany to represent Israel in the Eurovision Song Contest, where the song took second place. Her major international breakthrough came in the wake of the album Shirei Teiman (Yemenite songs), which she recorded in 1984. The album consisted of songs that Haza had heard in childhood, using arrangements that combined authentic Middle Eastern percussion with classical instruments. The composer-arranger Izhar Ashdot, who remixed the album’s songs, added electronic instruments to the song “Galbi” (Libi [My heart] in Hebrew). Set to a Middle Eastern beat, the song became a “dance music” hit. A DJ from the Voice of Peace radio station passed along Ashdot’s version to friends in Europe, and the song was released by German record giant BMG, which distributed it throughout Europe, particularly in France and Germany. “Galbi” became a huge international hit.

Haza’s star continued to rise, both in Israel and abroad. In 1988 Izhar Ashdot and Yair Nitzani did a remix of the song “Im Nin’alu,” first recorded by Haza for her Shirei Teiman album in 1984. After hip-hop artists and sampling pioneers Eric B & Rakim inserted the original version plus an addition by Haza in English and German into their song “Seven Minutes of Madness,” Haza’s “Im Nin’alu” soared to international fame. By the end of 1987 the song had sold more than two million copies worldwide.

Sales of another Haza album, Shaday (1988), passed the one-million mark in Europe, adding to Haza’s international recognition. That same year, Haza placed first in the Golden Lion television competition in Germany and the International Song Festival in Tokyo. In 1989 she moved to New York and also made a successful appearance at the London Palladium. Such renowned music producers as Arif Mardin and Thomas Dolby asked to work with her and ultimately produced her Desert Wind album (1989). Singers Paul Anka and Cliff Richard recorded duets with her. Haza also recorded a duet in 1997 with the singer Iggy Pop for his album, which was nominated for a Grammy award that year. In 1989 Haza was invited by Steven Spielberg to perform the song “Deliver Us” for the animated feature The Prince of Egypt. She recorded the song in twenty-nine languages and even voiced the role of Yokheved, mother of Moses, in the film. In 1990, Haza turned down an offer by singer Michael Jackson for a joint international concert tour.

In the course of her meteoric rise, the top Israeli songwriters, including Naomi Shemer, Ehud Manor, Sasha Argov, Moshe Wilensky, Svika Pick, and many others, offered her their songs. A large part of her repertoire was written by Bezalel Aloni, her manager of many years. Other songs were written by Haza herself, in collaboration with Aloni or with composers and lyricists who wrote for her. A considerable proportion of Haza’s repertoire was based on traditional Yemenite songs.

Despite her extensive international career, Haza never ceased performing in Israel, where her appearances always drew large audiences. She frequently appeared at army bases in the North and South of the country. While returning from one of these shows, the plane carrying her and Aloni crashed; miraculously, the two survived. Haza performed at numerous Israeli song festivals for children and adults, generally singing the winning song. Ofra Haza fan clubs were set up in various locales around Israel. In 1997 Haza married businessman Doron Ashkenazi and shortly thereafter severed her ties with Bezalel Aloni. In 1998 she was chosen to perform Naomi Shemer’s “Jerusalem of Gold” at the official ceremony marking Israel’s fiftieth anniversary.

In February 2000 Haza was rushed to Tel Hashomer Hospital suffering from massive organ failure. She died on February 23, 2000.

Ofra Haza is one of the major links in the chain of Yemenite women singers who have played such a prominent role on the Israeli music scene over the years. Their ranks have included Brachah Zefira, Esther Gamlielit, Shoshana Damari, Ahuva Tzadok and Achinoam Nini.

The following is a discography of Ofra Haza for the years 1974–2000:

1974 – Ahavah Rishonah; 1976 – Ve-Hutz mi-Zeh Ha-Kol be-Lit. "order." The regimen of rituals, songs and textual readings performed in a specific order on the first two nights (in Israel, on the first night) of Passover.Seder; 1977 – Atik Noshan; 1978 – Shir ha-Shirim be-Sha’ashuim; 1980 – Al Ahavot Shelanu; 1981 – Bo Nedaber; 1982 – Pitu’im; 1982 – Ofra Haza Le-Yeladim; 1983 – Chai; 1983 – Shirei Moledet A; 1983 – Mivhar Shirei Ofra Haza ve-Lahakat Shekhunat Hatikvah; 1984 – Bayit Ham; 1984 – Shirei Teiman; 1985 – Adamah; 1986 – Shirei Moledet B; 1986 – Yamim Nishbarim; 1987 – Album Zahav; 1988 – Shaday; 1989 – Gates of Wisdom; 1989 – Desert Wind; 1992 – Kirya; 1994 – Kol ha-Neshamah; 1995 – Queen in Exile; 1997 – Ofra Haza ’97; 1998 – Ofra Haza @ Montreux Jazz Festival. A 3-CD set of Haza’s songs, entitled Manginat Ha-Lev 2, was released in 2004.


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There are theories she was murdered by Israeli agents using HIV infection. Whatever happened, we lost the true angel of music.

Very openly you should have mentioned that Ofra died from aids. There is nothing shameful about it. We don't know for sure how she got infected by the virus. Whatever the cause, Ofra remains a great artist for which she should be honoured and praised. I don't understand a single word Hebrew, but even then het voice in songs like "Yerusalayim Shel Zahav", "Mi Li Yten", "Im Nin'Alu" and "Ehyeh Asher Ehyeh" goes through all my veins. For me that's the ultimate proof for her greatness.

Why do you omit that Ofra died of Aids? Did you think it was too a shameful cause of death to mention?

Image of singer Ofra Haza from a mid-1990s Israeli television broadcast. Cropped from a larger image at Wikimedia Commons.

How to cite this page

Shahar, Nathan. "Ofra Haza." Jewish Women: A Comprehensive Historical Encyclopedia. 27 February 2009. Jewish Women's Archive. (Viewed on May 13, 2021) <https://jwa.org/encyclopedia/article/haza-ofra>.


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