The Jewish-American literary canon is not only dismissive of women but hostile to them, and this is insidious and damaging to the narrative we tell as Jews and women.

The idea that Miriam will dance with us to repair the broken world paints an image of a world in which change is actually achievable. How beautiful is the thought that we can advocate for a world that swirls with gender equality?

When I look at my American Jewish identity, I find that news from the Jewish community, and in particular, the Jewish feminist movement, continue to be underrepresented and under-publicized.

For some Modern Orthodox Jewish women, skirts versus pants gets tricky.

When I heard Alicia Jo Rabins' performance of “River So Wide,” it brought the world of the Torah close to me in a way it had never been before.

Megillat Esther reminds us of a different way to lead, a different way to change the world.

These fun movies from the early 2000s are still watched frequently as they are thought to be timeless classics, but the awkward and problematic comments have yet to be addressed.

Just as the it-girls online promised, working through my issues by connecting to a feminine God works, even if it is extremely different than what they envisioned.

Grammatical gender in Hebrew fosters a culture of exclusion and denies people safety and belonging in our religious spaces. It's time for that to change. 

In Liana Finck's exploration of the kabbalistic concept of Tsimtsum, the idea of God's contraction as a means of creation, I find the beginnings of a Jewish feminist future. 

We need programs that integrate vibrant Jewish feminism into all youth spaces.

Recently, I’ve embarked on a mission to dress how I want, when I want.

In Janice from Friends and Fran from The Nanny, I see some of myself—a chatty Jewish woman with curls and a loud laugh—and I never found Janice annoying, or saw Fran as anything less than who she is: funny, beautiful, independent.

Although I was somewhat unimpressed by Love Is Blind’s surface-level coverage of inter-religious relationships, it was beautiful to watch the Lemieux fall in love despite their very different backgrounds.

Between using atrocities as a way to create romantic drama and its rush to excuse antisemitism, The Exception is a movie that never should have left the writer's room.

Reading The Sun Also Rises was the first time I encountered depictions of antisemitism as an almost normal part of conversation and interaction. I didn’t know how to react to it.

The film The Fifth Element creates an aspirational society in which a woman does not feel exposed or sexualized because of what she wears. I want that for all of us.