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Jewesses with Attitude

Remembering Adrienne Cooper, mother of the Klezmer/Yiddish revival

Adrienne Cooper passed away on Sunday evening at the age of 65 after a long fight with cancer. Famous primarily for her extraordinary voice and ability to make Yiddish song clear to all, regardless of whether or not the listener understood the language, Cooper was, in many ways, the mother of the Klezmer/Yiddish revival of the 1980s. Her vision of "revival" was based in her own strong commitment to social justice and lay not in nostalgia for Anatevka but in the idea of Yiddish as a language in which one fights for social justice.

It is fitting that just last year she was honored by Jews for Racial & Economic Justice with its Marshall T. Meyer Risk-Taker Award. And equally fitting that Sunday saw the opening of the 27th Annual KlezKamp, an annual week of Yiddish Culture immersion that she co-founded with Henry Sapoznik.

I have thought of both threads as I reflect on the avant garde art song in which she and her partner, the brilliant pianist Marilyn Lerner, made the Yiddish poetry of Anna Margolin accessible to those of us who are Yiddish-disabled. Just a few years earlier, as the Bush administration pushed for war in Iraq, Adrienne and Marilyn gathered English, Spanish, Yiddish, and Hebrew songs for peace and tried to stop a war that has only now (at least on paper) ended.

Of all her projects, however, the one that was perhaps most exciting was an all-women’s ensemble from the late 1990s. Mikveh was one of the first revival groups that went beyond presenting music and poems that might have been played 100 years ago. Among the groups' carefully chosen repertoire were a raucous celebration of "Bas Mitzvah" and new Yiddish poems written by her daughter, Sarah Mina Gordon, including what was probably the first song grappling with abortion. Watching her glow while singing with Mikveh is how I remember Adrienne most vividly. She re-set wonderful old songs so that one walked out of the concerts not only entertained but energized and ready to fight for change in the world.

In the 15 years that I knew her, I was privileged to see her in many of her roles--from performer to KlezKamp teacher, from singer to administrator and planner—for many of those years, at Workmen's Circle, where she pioneered groundbreaking programs, reinvigorating the organization and exciting a new generation with the possibilities of Yiddish, song, and social justice. I also treasure the times we got to just sit and talk (or more often, stand and talk). In my role at the Jewish Women's Archive, I had the opportunity to work with her on projects beyond music—getting her to write a "We Remember" piece for Yiddish theatre icon Mina Bern; or in our last conversation, just last month, planning ways to gather oral histories for a new Workmen's Circle project.

Last year she released a new recording, Enchanted, which pulled many of the threads of her life together. There were songs from her production, with Jenny Romaine, of "The Memoir of Glikl of Hameln;" songs from the Peace show; and from Esn, a program about that most Jewish of subjects, food. There were old Yiddish poets set to new music, and new Yiddish poets, including her daughter. The centerpiece incorporated the sounds from a wax cylinder, lovingly digitized, that had captured her grandfather, the cantor, singing, while a baby Adrienne Cooper laughed and played in the background.

To listen to the adult Adrienne Cooper sing, accompanied by her grandfather and herself as a child, illuminates the accomplishment of her life—to create bridges to a culture that had been thought lost. She leaves us with a present touched by grace, and having known her, a future that includes hope. But her passing, like the passing of too many other "mothers" this year: Debbie Friedman, Esther Bronner, Paula Hyman, leaves us also diminished.

See Also:

Adrienne Cooper at KlezKanada, August 19, 2008
Full image

Adrienne Cooper, accompanied by pianist Marilyn Lerner, performing a selection from "Every Mother's Son: Jewish Songs of War and Peacemaking" at KlezKanada 2008's Tuesday night staff concert, held August 19, 2008 at Lantier, Quebec, Canada.

Photo: Alan Lankin, via

Used by permission.

Adrienne Cooper and others at KlezKanada, 2010
Full image

Adrienne Cooper at KlezKanada, 2010.

Left to right: Tine Kinderman, Sarah Mina Gordon, Adrienne, Joanne Borts, Frank London.

Photo by Bob Blacksberg. Used by permission.

How to cite this page

Davidow, Ari. "Remembering Adrienne Cooper, mother of the Klezmer/Yiddish revival." 27 December 2011. Jewish Women's Archive. (Viewed on January 20, 2017) <>.


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