Like all large groups of people, American Jews are complex and irreducible despite some aspects of shared culture. Recently, the Jewish Women’s Archive made an interesting choice to focus a new curriculum on Jewish involvement in the labor and civil rights movements — without cheerleading or focusing solely on women’s involvement — thereby shining a probing light on that very complexity.
Michigan State Representative Lisa Brown has become a new heroine of the pro-choice movement, and she achieved this status both by invoking her Judaism and by using the word “vagina” on the State House Floor, during a heated debate of an omnibus anti-abortion bill.
Anyone who has spent time arguing about politics–particularly hot-button issues like abortion–is familiar with “glazed-eyes, nodding syndrome” which is what happens when listeners (who may even agree with us) grow uncomfortable with the topic and hope to goodness we move on, soon, and yes, yes, women’s rights blah blah blah. It’s just politics, these expressions tell us; why act like it’s so personal? Or maybe it’s just too depressing and abstract to contemplate.
The blogosphere and my inbox, have been buzzing with response to former Portfolio editor Joanne Lipman’s rather bizarre piece on modern womanhood in The New York Times, “The Mismeasure of Woman,” which has spent several days floating around on the paper’s most e-mailed list. I’m going to have to echo Jezebel’s Anna N. by saying that I was actually with Lipman throughout much of her critique — until the end when she started listing a rather motley group of prescriptions for the Woman Problem.
I logged onto the computer last weekend to see that Anne Frank was a trending topic on Twitter. That was largely thanks to the Anne Frank House in Amsterdam, which released (as the Bintel Blog reported) a new video, showing the only known footage of Anne, leaning out of a window and watching a married couple. It immediately became a hit on YouTube. Seeing such a timelessly tragic figure from another time on such definitively contemporary context — Web 2.0 — had an odd feeling to it. And then of course, Anne got caught in the middle of a bizarre dust-up between David Mamet and the Disney Studio. (Mamet’s re-imagining of the diary onscreen involved a contemporary girl going to Israel to learn about the trauma of suicide bombings) and she is the subject of a new book by Francine Prose.