We talk to Josie Shapiro about the Tucson Jewish Museums's role in advocating for immigrant justice in Arizona and creating queer-affirming, feminist Jewish space.

How does season three of Mrs. Maisel stack up?

Sure you've had black and white cookies, but have you made them?

Jewish partisans are far more compelling than any revenge fantasy cooked up by Quentin Tarantino because they were real.

Visiting a Holocaust Museum as a Jew can be meaningful, painful, and sometimes, exposing.

A first-time Seder host shares her journey to prep for Passover, and a recipe for flourless chocolate cake with ganache.

Forest Dark is an exploration of what happens when the relationships, material objects, and geographic locations that have come to constitute an identity fall apart.

When I saw a flyer advertising the Tucson International Jewish Film Festival at the Jewish Community Center, with something called Egg Cream listed as a short film to be shown toward the end of January, I was intrigued.

Does The Marvelous Mrs. Maisel accurately portraying New York Jewish life in the 1950s, or is it caricature? One of our writers tackles this question in her review of season two.

Gentileschi’s rendition of Judith is a self-portrait—allowing her to wield a sword and take revenge, if only in fantasy. Judith Slaying Holofernes was the first piece of feminist art that really moved me. Even now, I get chills when I view it. I thought a lot about Judith this week, after dusting off my menorah and dutifully buying candles and gelt.