Jordan, an adventurous quirky Jewess, has frolicked from Wellesley, MA to Warsaw, Poland (where Jewish feminists are few and far between), and is learning about the world and often wondering. Inspired by the poetry of Adrienne Rich, the public health activism of Lillian Wald, and countless other feisty women whose misbehavior has rocked the globe, Jordan balances her blogging with plenty of jogging and prefers mountains to metropolis.
With Passover fast approaching, now is a perfect time to think about the many roles of courageous women in historical and contemporary quests for freedom.
As a start, check out the Jewish Women's Archive's resource on Jewish midwives which highlights Shifra and Puah, two women who play a critical part in the Exodus story through their acts of resistance in sparing the lives of Hebrew male babies born in Egypt.
Besides this piece being interesting as a documentary description of late 19th century life in London, it's fascinating for the writer's clear invocation of class issues, though that seems more a natural by-product of her own upper-class biases than a deliberate attempt to raise an explicit discussion about socioeconomic divisions between Jews.
"Imagine how much stronger Jewish organizations would be if women truly shared leadership with men," says Shifra Bronznick, co-founder of the national non-profit, Advancing Women Professionals and the Jewish Community (AWP). Wouldn't it be nice if we no longer needed to imagine this?
Cross-posted on Jewess. The beginning seems like a good place to begin our exploration of The American Jewess archives. The first issue of TAJ, from April 1895, proves to be varied in its area of coverage, likely reflecting the varied interests and education of its intended readers. And that 19th century language sure is something!
New Feature: "The American Jewess" on Jewess and Jewesses With Attitude ... Or, Happy 113th Birthday, TAJ!
Today marks the 113th anniversary -- centennial + bat mitzvah! -- of the launch issue of The American Jewess, the first English-language publication directed to American Jewish women.
"And you shall write them on the doorposts of your ... spaceship?" Jewish artist, Laura Cowan, has been making space-travel themed mezuzot for years. She was taken by surprise, however, when she received a call from American Jewish astronaut, Greg Chamitoff, asking if he could bring two of her rocket-inspired ritual objects into outer space.
"The life of men and women is so cheap and property is so sacred! There are so many of us for one job it matters little if 146 of us are burned to death. I know from my experience it is up to the working people to save themselves, and the only way is through a strong working-class movement."
A woman riding a bicycle in full Victorian dress doesn't freely associate with being Jewish …except in the case of Annie Cohen Kopchovsky (who adopted the decidedly less ethnic name of "Annie Londonderry"). In courageous, chutzpah-like ways, Annie -- a Jewish immigrant living in Boston in June 1894 -- shattered the social conventions of her time.
On February 21, 1942 (sixty-six years ago yesterday) Wanda Landowska -- a Warsaw-born Jewish musician with a mastery of the harpsichord -- made history with a performance of Bach's "Goldberg Variations" at New York's Town Hall. It was the first time in the 20th century that the piece, originally written for the harpsichord, was performed publicly on that instrument. A student of Landowska's later remembered that hearing her performance was "like being in front of one of the greatest wonders of nature."
How to cite this page
Jewish Women's Archive. " Jordan Namerow ." (Viewed on January 18, 2017) <https://jwa.org/blog/author/jordan-namerow>.