Jordan, an adventurous quirky Jewess, has frolicked from Wellesley, MA to Warsaw, Poland (where Jewish feminists are few and far between), and is learning about the world and often wondering. Inspired by the poetry of Adrienne Rich, the public health activism of Lillian Wald, and countless other feisty women whose misbehavior has rocked the globe, Jordan balances her blogging with plenty of jogging and prefers mountains to metropolis.
I recently returned from Uganda where I spent three months volunteering with a health rights organization. Next door to the NGO at which volunteered is the UgandaWomen's Cancer Support Organization (UWOCASO) run by a small, courageousgroup of breast, cervical, and ovarian cancer survivors.
Apropos of recent conversations on Jewesses With Attitude about diversity and multi-ethnic identities, nine years ago today, Angela Warnick Buchdahl was invested as the first Asian-American cantor.
By Rebecca Honig Friedman, cross-posted on Jewess. This would have been an appropriate post for last week when we celebrated Yom Ha'azmaut and commemorated Yom Hazikaron but ...
Jewesses With Attitude recently reconnected with Rivka Solomon, the founder and visionary of That Takes Ovaries (TTO) and recipient of the Jewish Women's Archive's Women Who Dared award. TTO takes many forms -- it's a book, an open mike movement, a play, and an organizing tool for women's and girls' empowerment. Most TTO events benefit women's and girls' causes -- women's shelters, Planned Parenthood, groups working to end human rights abuses around the globe, Amnesty International, and more.
It's unlikely that Emma Goldman predicted her legacy would inspire the name of an activist folk music duo, but perhaps she did. Over the weekend, I had the delight of seeing Emma's Revolution, a "musical uprising of truth and hope from award-winning, activist songwriters" perform with feminist folk music pioneer Holly Near.
A regular column in The American Jewess, "The Woman Who Talks" (a more politically correct way to say The Yenta?) was a place "for the ventilation of all subjects pertaining to woman: social, domestic, religious, literary, political, philanthropic, and so on-ad infinituz," according to its first installment.
What connects the Statue of Liberty with Emma Lazarus? Susan Sontag with Gilda Radner? Patriotism with labor protests? Musical theatre and domestic ritual with potato kugel and halvah? You guessed it: JEWISH AMERICAN HERITAGE!
Some of the articles we're finding in our look at The American Jewess archives seem surprisingly contemporary (19th century language aside), yet a closer look reveals the more subtle points of contrast between how we approach particular issues now vs. then.
Art, liberation, ritual, the environment. For Jewish eco-feminist artist, Helene Aylon, these are the unifying elements of her life's work. In celebration of Earth Day, I've been re-exploring some of her ground-breaking work and realizing that we need more of it!
How to cite this page
Jewish Women's Archive. " Jordan Namerow ." (Viewed on December 5, 2016) <https://jwa.org/blog/author/jordan-namerow>.