Every entry I've read in the Jewish Women's Archive has been written with telling details and real feeling, as if by a friend who is both clear-eyed and close to the subject. This is an excellent example.
Haunting and mysterious is the detail that, in 1947, as an editor in her late husband's press, she turned down the manuscript of Primo Levi's memoir.
Every entry I've read in the Jewish Women's Archive has been written with telling details and real feeling, as if by a friend who is both clear-eyed and close to the subject. This is an excellent example.
Haunting and mysterious is the detail that, in 1947, as an editor in her late husband's press, she turned down the manuscript of Primo Levi's memoir.