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Television

Elinor Guggenheimer

Elinor Guggenheimer first toured New York City day nurseries as a member of the Federation of Jewish Philanthropies during the 1930s. Horrified by what she saw, Guggenheimer began a lifelong crusade for improved and standardized child care facilities across the country. A veteran of New York City politics, Guggenheimer has also worked to promote women in public office and was one of the founding members of the Women’s Political Caucus in 1971.

Eydie Gorme

One of the great stylists of the American popular song, Eydie Gorme has had a loyal following from the 1950s to the present.

Dorothy Lerner Gordon

Dorothy Lerner Gordon—musician, broadcaster, author—dedicated her talents to the entertainment and education of children and young people.

Jennie Goldstein

Jennie Goldstein was one of the foremost Yiddish theater tragediennes, beloved by the public and acclaimed by critics for her ability to make audiences cry and for her outstanding voice.

Therese Giehse

Therese Giehse, who was far from possessing contemporary ideals of beauty, pursued her desire to be an actress with diligence and dedication.

Annabelle Gamson

More than any other artist in the mid-1970s, Annabelle Gamson initiated unprecedented attention to the history of American modern dance.

Esther Gamlielit

Gamlielit became famous within the theater and beyond for her performances of songs that called for acting and singing with the Yemenite-style pronunciation of the Hebrew letters het and ayin, among them: “Tango Temani,” “Elimelekh,” “Gedalyah Reva Ish,” “Be-Karmei Teman,” “Ha-Yeled Nissim” and “Ha-Tender Nosea.”

Barbara Frum

For some two decades, journalist Barbara Frum was one of the best known people in Canada.

"Mama" Cass Elliot

Called the Earth Mother of Hippiedom by fellow band member John Phillips, Cass Elliot brought charm and vocal muscle to a stormy and transitional period of American music history. In flowery print dresses of the mid-1960s, made tentlike to accommodate her great size, Elliot, born Ellen Naomi Cohen on February 19, 1941, in Baltimore, grew to fame with the tightly harmonic vocal group the Mamas and the Papas. During their three-year reign at the top of popular music charts, the Mamas and the Papas melded folk and psychedelic styles in a quartet whose half-dozen remembered songs still evoke a time prior to the 1968 Chicago Democratic National Convention, when hippie ideologies of communal living and relaxed standards of dress and demeanor had not yet divided the recording industry or the nation along fierce political lines. In 1966, the Mamas and the Papas made their television debut, singing “California Dreamin’” on the variety show The Hollywood Palace. It was broadcast to American soldiers in Vietnam, and host Arthur Godfrey sent “our boys” a message of hope.

Selma Diamond

“I do not discuss my age, height, weight, or other vital statistics. Other than that, shoot. I tolerate any kind of nonsense up until six o’clock. After that, I just want to be admired.” In typical Selma Diamond fashion, the witty, wisecracking (with a voice she once described as sounding like Brillo), longtime comedy writer/actor held her own when warding off nosy interviewers. Best known as the crotchety, chainsaw-voiced bailiff Selma Hacker on television’s Night Court from 1984 to 1985, Diamond embodied in her writing and her comedy routines the quintessential cynical, jaded character. Penning skits and jokes for some of the early greats of radio and television, she became one of the most famous and accomplished female comedy writers of her time.

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How to cite this page

Jewish Women's Archive. "Television." (Viewed on February 1, 2015) <http://jwa.org/topics/television>.

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