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Music

Belle Barth

Singing her way through popular standards and performing imitations of Sophie Tucker, Al Jolson, Harry Richman, and Gypsy Rose Lee kept Barth employed on the vaudeville circuit through the 1930s and 1940s. The character of her act changed in the 1950s, when she began to mix her two talents—music and comedy—and added a splash of “red hot mama” for good measure.

Barbara (Monique Andree Serf)

Under her simple stage name “Barbara,” Monique Andrée Serf (b. Paris June 19, 1930, d. Neuilly-sur-Seine November 24–25, 1997) was an immensely popular French singer and composer in the cabaret style.

Belle Baker

Belle Baker has been described as a famed torch singer and vaudeville star, as well as a Yiddish, Broadway, and motion picture actor.

Zsófia Balla

Born in Romania to Hungarian parents, Zsófia Balla has lived in Hungary since 1993. While in the land of her birth her work was often subject to censorship, she is considered one of her adopted nation's greatest women poets.

Astrith Baltsan

“Astrith Baltsan is an incomparable phenomenon on the musical scene in Israel,” wrote the judges who awarded her the Tel Aviv Municipality 2001 Rosenblum Prize for the Stage Arts. Her original lecture-concert series—multimedia events—became the largest classical chamber music series in Israel, attracting thousands of individuals to attend their first non-symphonic concerts.

Australia: Nineteenth and Twentieth Centuries

Since the beginning of British colonialization of New South Wales in 1788, when between eight and fifteen Jews were among the convicts who arrived with the First Fleet, several waves of immigration have brought the Jewish population up to its present size.

Chaya Arbel

A woman and a kibbutznik, Chaya Arbel embodies two under-represented sectors on the Israeli musical composition scene.

Chava Alberstein

Chava Alberstein is a singer-songwriter (both lyricist and composer) who by the end of 2004 had recorded over fifty albums, not including singles and song collections.

Lina Abarbanell

Abarbanell’s success lay in lighter musical fare and operetta. Composers such as Oscar Straus, Franz Lehár, and Edmund Eysler wrote for her expressive soubrette voice. She made about twenty recordings in 1903 and 1904, only four of which appear to have survived. In 1905, Heinrich Conried, general manager of the Metropolitan Opera, invited her to sing the role of Hänsel and to perform at his Irving Place Theater, where she delighted his German-speaking audiences.

Arise, Arise: A New Wave of Jewish Women Musicians

Yesterday I attended a workshop on themes of social justice in Jewish music. I was given a music packet that included songs by Bob Dylan, Peter Yarrow (of Peter, Paul, and Mary), Pete Seeger, Jeff Klepper, the stud-of-a-Jewish-Rockstar Rick Recht, and E18hteen (the modern Jewish rock band founded by Dan Nichols). "E18hteen" sings that catchy song "Kehilah, Kedoshah" which is all the rage in Reform Jewish camps (I'm not going to lie -- I dig this song despite its cheesiness).

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How to cite this page

Jewish Women's Archive. "Music." (Viewed on December 22, 2014) <http://jwa.org/topics/music>.

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