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Film

Stella Adler

At Stella Adler’s death in 1992, Robert Brustein wrote in The New Republic, “Stella Adler’s death … represents a major loss in the pantheon of theater greats. Through the strength of her convictions, the integrity of her character, and the brilliance of her mind, Adler embodied the art of the dramatic profession and remained an influential figure throughout a career that spanned most of the century.”

Vamping with Theda Bara (Who?!)

One of the highlights of our work at the Jewish Women’s Archive is uncovering hidden histories. In our This Week in History profile this week, we are looking back at silent film star Theda Bara.

Molly Picon: A Celebrity for the Ages

Years ago, when I was working on my undergraduate thesis on Yiddish film, I attempted conversation about the subject at cocktail parties (well, at that point they weren’t yet cocktail parties, but there were definitely M&Ms) –

“Yiddish? Film? What? Like Yentl?”

No. Not like Yentl. They’re in Yiddish! And most of them were originally Yiddish theater productions. Molly Picon? ... No?... Nobody?... Nevermind. Is it hot in here? Pass the M&Ms.

Comedy, Cultural Memory & Legacy

In a recent session of my comedy class for Jewish high schoolers, I instructed the students to re-do a scene in the style of the "Tonight Show with Johnny Carson." I might as well have said "gee willakers" and put on my newsies cap.

Who Does She Think She Is?

This past weekend I saw a documentary film called Who Does She Think She Is?. The film profiles five female artists who are also mothers, as well as several commentators including Tiffany Shlain, creator of The Tribe, and Courtney Martin author of Perfect Girls, Starving Daughters and contributor to Feministing.com.

Joan Rivers as Yoda

I've always had a soft spot for Joan Rivers. Once, as a student at Barnard, (BC '98), Rivers's Alma Mater, I was highlighted by a Barnard publication for my work as a comedian, and was noted to be "the next Joan Rivers." Erroneously, this allowed me to believe that we were secret best friends, and that if ever I was to meet Joan -I would say "Hello, I am the next You; we are best friends, yes?"  Also erroneous is the claim itself - there is no "Next Joan Rivers" - she is irreplaceable  (nor do I come close).

Film Review: Beautiful Hills of Brooklyn

If I ever had any doubt about whether "the ordinary" mattered, Beautiful Hills of Brooklyn drove such doubt away. Based on a true story, and adapted from the play by Ellen Cassedy, Beautiful Hills of Brooklyn is a life portrait of Jessie Singer Sylvester, a retired elderly Jewish woman living on a pension in 1976 who is confronting the changes in her life and in her beloved Brooklyn neighborhood.

In the Family

Last night I watched Joanna Rudnick's intimate and informative documentary, "In the Family," about the BRCA genetic mutations that cause a predisposition to breast and ovarian cancer. Using her own story as the framework for the film - she learned that she is a BRCA mutation carrier at age 27 - Rudnick speaks with cancer survivors, doctors, genetic counselors, other "previvors" like herself, and family members about what it's like to know that your body is, as she puts it, a "time bomb."

Funny Fanny's Ziegfield Debut

Ah, Fanny Brice. The name alone evokes the image of a Jewish woman on-stage in glamorous costume, making fun of herself. Well, that and, of course, Barbra Streisand singing “People.” This week marks the 98th anniversary of Ms. Brice’s iconic debut in Ziegfield’s Follies as “Sadie Salome,” her breakthrough role.

"At Home in Utopia": An Interview with Filmmaker Michal Goldman

Filmmaker Michal Goldman's At Home in Utopia is a new documentary that traces the history of these "Bronx utopias," focusing on the United Workers Cooperative Colony, or simply "The Coops."

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How to cite this page

Jewish Women's Archive. "Film." (Viewed on October 24, 2014) <http://jwa.org/topics/film>.

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