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Film

Nurit Hirsch

Nurit Hirsch (Rosenfeld) is one of the most prolific and varied songwriters of contemporary Israeli song. Born in Tel Aviv in 1942 to Hillel and Leah Hirsch, she graduated from the Rubin Academy of Music, where she studied piano with Alexander Buch, composition with Mordechai Seter and Yeheskiel Braun (both Israel Prize laureates) and jazz with Professor Zvi Keren. She also studied orchestration with Noam Sharif and conducting with Laslo Roth. She continued her studies at UCLA, where she took courses in music for films, contemporary music and electronic music. In New York she studied composition with Norman Dello Joio.

Judith Herzberg

Judith Herzberg has created an extensive body of work during the more than thirty years that she has been active. She has written poems, essays, plays, film scripts and television dramas, and has many translations and adaptations to her name. Judith Herzberg made her debut as a poet at the beginning of the sixties. During the seventies she began to write for the stage, stimulated by the Institute for Theater Research of Nederland.

Nechama Hendel

Nechama Hendel was born on August 22, 1936 in Jerusalem, where her family lived in the upper-middle-class district of Rehavia. Both parents immigrated to Palestine from Poland. Her father, Michael Hendel (1899–1965), was born in Bolochow (Bolokhuv) and her mother, Chana Foyerstein (1900–1986), was born in Warsaw. Her father served for many years as chief inspector of history at the Israel Ministry of Education. Her older sister, Tamar Gadot, was born in 1934.

Anna Held

The date and place of Anna Held’s birth are shrouded in mystery, confusion or vanity. They range from March 18, 1865, in Warsaw, Poland, to 1878 in Paris, France, a thirteen-year difference. That she was born in Warsaw on March 18, 1873, may be most accurate. Held was the youngest and only survivor of eleven children. Her parents were Maurice (or Shimmle), a glovemaker, and Yvonne (or Helene) Pierre. Some sources suggest that both her parents were Jewish, while one source states that her mother was Catholic.

Hebrew Theater: Yishuv to the Present

From its beginnings early in the twentieth century, Hebrew theater was the province of men. With the exception of a few trailblazers such as Miriam Bernstein-Cohen, who translated and produced plays, it was not until the 1980s that women writers and directors began to work in the Israeli theater. Of all the theatrical professions, only actresses had truly been partners in the enterprise of reviving Hebrew culture. It is therefore appropriate to begin with several of the most important of these and to go on from there to playwrights and directors.

Ofra Haza

Ofra Haza was born on November 19, 1957 in the Hatikvah quarter of Tel Aviv to parents who had immigrated from Yemen with their eight sons and daughters. Her mother, already a singer in Yemen, would often perform at family celebrations. Haza herself sang from an early age and was a soloist in her local school choir.

Vera Gordon

After her star-making turn in the 1920 film Humoresque, actor Vera Gordon came to represent the archetypical Jewish mother, both on-screen and off. She played mother roles in almost thirty films, including The Millionaires (1926), Four Walls (1928), and the successful The Cohens and the Kellys series.

Jennie Goldstein

Jennie Goldstein was one of the foremost Yiddish theater tragediennes, beloved by the public and acclaimed by critics for her ability to make audiences cry and for her outstanding voice.

Therese Giehse

Therese Giehse, who was far from possessing contemporary ideals of beauty, pursued her desire to be an actress with diligence and dedication.

Rose Franken

Rose Dorothy Lewin Franken was a celebrated Broadway playwright and director, a Hollywood screenwriter and a popular novelist whose fiction touched a sympathetic chord in American women.

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How to cite this page

Jewish Women's Archive. "Film." (Viewed on December 22, 2014) <http://jwa.org/topics/film>.

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