You are here

Share Share Share Share Share Share Share

Film

Who Ya Gonna Call? Feminism and Race in This Summer's Ghostbusters Reboot

This summer, paranormal activity gets a new set of adversaries as four awkward and highly intelligent women come together to prove not only that ghosts are real, but that women are capable of rebooting a previously all-male franchise.

Jazz Jennings

Through her YouTube channel and reality TV show, Jazz Jennings is working to increase public understanding and acceptance of transgender teens like herself.

Tavi Gevinson

Proving the power of the internet to level the playing field, Tavi Gevinson launched her fashion blog Style Rookie at age eleven and was lauded by Forbes at age fifteen for the massive audience her feminist commentary had garnered.

Zoe Kravitz

Zoe Kravitz has continued her family’s legacy in the arts as a singer and actress in her own right.

Is Grease Sexist?

I once told a friend of mine that I think Grease is horribly sexist because the plot is basically: girl changes herself to get the guy. He responded, “I always thought it was her throwing off negative social norms. It’s not like the whole goody two shoes thing was good.” His sentiments versus my own are the crux of the argument about whether Grease is a sexist movie, or one that supports feminist ideals. 

The Princess Tried

My favorite movie [The Princess Bride], though strikingly Jewish, is not particularly feminist. It’s not just that it doesn’t pass the Bechdel test (because let’s be real how many movies do?), it’s because the female protagonist, Buttercup, is seemingly incapable of doing anything on her own. 

Letting go of Woody Allen with the help of Claudia Weill

Woody Allen’s name is synonymous with New York City Jewry and avant-garde art; he is the poster boy for the guilt ridden, philosophically burdened, emotionally stunted kvetcher that we are all familiar with. Allen’s characters are recognizable—carrying pieces of our relatives, our community members, and ourselves. Annie Hall, Crimes and Misdemeanors, Manhattan, and Fading Gigolo, to name a few, place a strong emphasis on Jewish culture and idiosyncrasies, connecting to both a broad, general audience, that responds to the novelty, and to the specific tastes of Jews.

Elizabeth Bennet, Feminist Killjoy

I became a full-blooded Janeite when I read Emma as a twelve year old, shortly followed by Austen’s classic, Pride and Prejudice, a few months later. I was captivated by a world of lavish parties, grand estates, and husband-material men who make five thousand a year

The ‘Miracle Mop’ Can’t Wring Out Dated Stereotypes

Joy is a cute movie, to say the most. Jennifer Lawrence’s character, Joy Mangano, is a housewife who strives to become a businesswoman despite the men in her life advising her against it. On the surface, this is a powerful story about  a woman coming into her own; a working class woman in the late 80s who moves beyond her meager station in life to make a name for herself. 

Jenny Slate

Jenny Slate has refused to be pigeonholed in her comedy, from the controversial film Obvious Child to the quirky YouTube series Marcel the Shell.

Pages

How to cite this page

Jewish Women's Archive. "Film." (Viewed on July 27, 2016) <http://jwa.org/topics/film>.

Donate

Help us elevate the voices of Jewish women.

donate now

Sign Up for JWA eNews

 

Discover Education Programs

Join our growing community of educators.

view programs