Women’s poetry in Yiddish first made its presence felt within the wider context of modern Yiddish culture in the late 1910s. Exploring topics from gender in Judaism to queer sexuality and eroticism, women’s Yiddish poetry cemented itself as its own literary corpus with priceless value and contribution to Yiddish literary culture.

Chava Rosenfarb, a major Yiddish novelist of the second half of the twentieth century, is one of the few Holocaust survivors who transmuted their experiences into fiction rather than memoirs or reminiscences.

The positive aspect of the Canadian mosaic has been a strong Jewish community (and other communities) which nurtured traditional ethnic and religious values and benefited from the talent and energy of women and men restrained from participation in the broader society. The negative aspect has included considerable antisemitism and, especially for women, the sometimes stifling narrowness and conservatism of the community which inhibited creative and exceptional people from charting their own individual paths.