Browse this section for short profiles of some of the thousands of Jewish women found throughout jwa.org. We will be adding new profiles to this section regularly and welcome your suggestions for women to add.
Lili Darvas earned praise for acting both classic and modern roles with great dramatic range and, as critic Harold Clurman put it, “the dignity of sound human instincts.”
Annette Daum combined interfaith dialogue and feminism in the hopes of both defusing anti-Semitism in the feminist movement and finding solutions to the common problems facing women in different faiths.
Carrie Dreyfuss Davidson became an important voice for women in the Conservative Movement as a founder of United Synagogue’s Women’s League and founding editor of their journal Outlook.
Rita Charmatz Davidson’s career in the Maryland court system was a series of firsts, leading to her 1979 appointment as the first woman on the Maryland Court of Appeals, the highest judicial body in the state.
Congresswoman Susan Davis, the first Democrat in more than fifty years to serve more than one term for California’s 53rd district, has repeatedly fought for women’s health issues on both a state and local level.
Through her investigation of court records, pamphlets, and other nontraditional sources, historian Natalie Zemon Davis created vivid pictures of the lives of ordinary people in medieval and renaissance France, particularly in her wildly popular 1983 book, The Return of Martin Guerre.
Lucy S. Dawidowicz believed that her passion for the shtetls she had known and her experiences working with Holocaust survivors in postwar Germany made her a better historian.
Doctor Frances Allen de Ford pioneered hygiene initiatives in the malaria-ridden, working-class Kensington district of Philadelphia.
A scholar of international relations, Vera Dean helped shape American foreign policy through her writing.
A founder of the neoconservative movement, Midge Decter delighted in challenging liberal views and acting as a thorn in the side of the feminist movement. Decter entered publishing in 1948 as a secretary to the editor of Commentary before becoming an editor at Midstream, Commentary, Harper’s, and Basic Books, where she remained until 1980.
Katya Delakova was a pioneer of Jewish dance, blending folk traditions, Hasidic worship, modern dance, and improvisation.
Through her art and work, Sonia Delaunay blurred the lines between poetry, fashion, and fine art.
Florence Levin Denmark helped found the field of women’s psychology and built crucial support for it in academic circles.
Maya Deren became one of the most important avant-garde filmmakers of her time for her use of experimental editing techniques and her fascination with ecstatic religious dances.
In her poetry, novels, and translations, Babette Deutsch interwove elements of vastly different cultures and times, from the Bible and Shakespeare to Russian and Japanese literature.
The first psychologist to focus on women, Helene Deutsch investigated issues ranging from motherhood to female sexuality.
A leader in the field of public health nursing, Naomi Deutch spearheaded health and sanitation campaigns in the US, Central America, and the Caribbean.
Long before her final role as the grouchy bailiff on Night Court, Selma Diamond earned a reputation behind the scenes as a brilliant, salty comedy writer for some of the best shows on radio and television.
Dorothy Dinnerstein earned her place as a major feminist thinker with her groundbreaking 1976 book The Mermaid and the Minotaur: Sexual Arrangements and Human Malaise.
Barbara Dobkin’s philanthropy and her ability to organize support for important causes has changed the landscape of Jewish women’s organizations in America and Israel.
A noted opera singer and theater producer, Selina Dolaro proudly defended her choices as a single mother making a living in the arts.
Florence Dolowitz both cofounded the Women’s American ORT (Organization for Rehabilitation and Training) and helped lead the organization for decades.
A talented painter and mosaicist who also innovated new methods of printmaking, Stella Drabkin believed the mark of an artist was their ability to work in any medium, guided by the needs of their art. Drabkin worked as a commercial artist before studying at the Philadelphia Graphic Sketch Club, where she created a series of prints in the 1930s called Old Philadelphia, which depicted street scenes in working-class, ethnic neighborhoods.
From her stage name to her rumored marriage to actor Will Rogers, Louise Dresser manipulated markers of identity and status to her advantage throughout her career.
Sylvia Goulston Dreyfus worked to improve Boston both through community activism and through her support of art and music.
How to cite this page
Jewish Women's Archive. "People." (Viewed on November 24, 2014) <http://jwa.org/people>.