"Traveling" by Grace Paley
Traveling, by Grace Paley
My mother and sister were traveling south. The year was 1927. They had begun their journey in New York. They were going to visit my brother, who was studying in the South Medical College of Virginia. Their bus was an express and had stopped only in Philadelphia, Wilmington, and now Washington. Here, the darker people who had gotten on in Philadelphia or New York rose from their seats, put their bags and boxes together, and moved to the back of the bus. People who boarded in Washington knew where to seat themselves. My mother had heard that something like this would happen. My sister had heard of it, too. They had not lived in it. This reorganization of passengers by color happened in silence. My mother and sister remained in their seats, which were about three-quarters of the way back.
When everyone was settled, the bus driver began to collect tickets. My sister saw him coming. She pinched my mother: Ma! Look! Of course, my mother saw him, too. What frightened my sister was the quietness. The white people in front, the black people in back—silent.
The driver sighed, said, You can’t sit here, ma’am. It’s for them, waving over his shoulder at the Negroes, among whom they were now sitting. Move, please.
My mother said, No.
He said, You don’t understand, ma’am. It’s against the law. You have to move to the front.
My mother said, No.
When I first tried to write this scene, I imagined my mother saying, That’s all right, mister, we’re comfortable. I can’t change my seat every minute. I read this invention to my sister. She said it was nothing like that. My mother did not try to be friendly or pretend innocence. While my sister trembled in the silence, my mother said, for the third time, quietly, No. Somehow finally, they were in Richmond. There was my brother in school among so many American boys. After hugs and my mother’s anxious looks at her young son, my sister said, Vic, you know what Mama did?
My brother remembers thinking, What? Oh! She wouldn’t move? He had a classmate, a Jewish boy like himself, but from Virginia, who had had a public confrontation with a Negro man. He had punched that man hard, knocked him down. My brother couldn’t believe it. He was stunned. He couldn’t imagine a Jewish boy wanting to knock anyone down. He had never wanted to. But he thought, looking back, that he had been set down to work and study in a nearly foreign place and had to get used to it. Then he told me about the Second World War, when the disgrace of black soldiers being forced to sit behind white German POWs shook him. Shamed him.
About fifteen years later, in 1943, in early summer, I rode the bus for about three days from New York to Miami Beach, where my husband in sweaty fatigues, along with hundreds of other boys, was trudging up and down the streets and beaches to prepare themselves for war.
By late afternoon of the second long day, we were well into the South, beyond Richmond, maybe South Caroline or Georgia. My excitement about travel in the wide world was damaged a little by a sudden fear that I might not recognize Jess or he, me. We hadn’t seen each other for two months. I took a photograph out of my pocket; yes, I would know him.
I had been sleeping waking reading writing dozing waking. So many hours, the movement of the passengers was something like a tide that sometimes ebbed and now seemed to be noisily rising. I opened my eyes to the sound of new people brushing past my aisle seat. And looked up to see a colored woman holding a large sleeping baby, who, with the heaviness of sleep, his arms so tight around her neck, seemed to be pulling her head down. I looked around and noticed that I was in the last white row. The press of travelers had made it impossible for her to move farther back. She seemed so tired and I had been sitting and sitting for a day and a half at least. Not thinking, or maybe refusing to think, I offered her my seat.
She looked to the right and left as well as she could. Softly she said, Oh no. I became fully awake. A white man was standing right beside her, but on the other side of the invisible absolute racial border. Of course she couldn’t accept my seat. Her sleeping child hung mercilessly from her neck. She shifted a little to balance the burden. She whispered to herself, Oh, I just don’t know. So I said, Well, at least give me the baby. First, she turned, barely looked at the man beside her. He made no move. So, to my surprise, but obviously out of sheer exhaustion, she disengaged the child from her body and placed him on my lap. He was deep in child-sleep. He stirred, but not enough to bother himself or me. I liked holding him, aligning him along my twenty-year-old young woman’s shape. I thought ahead to that holding, that breathing together that would happen in my life if this war would ever end.
I was so comfortable under his nice weight. I closed my eyes for a couple of minutes, but suddenly opened them to look up into the face of a white man talking. In a loud voice he addressed me: Lady, I wouldn’t of touched that thing with a meat hook.
I thought, Oh, this world will end in ice. I could do nothing but look straight into his eyes. I did not look away from him. Then I held that boy a little tighter, kissed his curly head, pressed him even closer so that he began to squirm. So sleepy, he reshaped himself inside my arms. His mother tried to narrow herself away from that dangerous border, too frightened at first to move at all. After a couple of minutes, she leaned forward a little, placed her hand on the baby’s head, and held it there until the next stop. I couldn’t look up into her mother face.
I write this remembrance more than fifty years later. I look back at that mother and child. How young she is. Her hand on his head is quite small, though she tries by spreading her fingers wide to hide him from the white man. But the child I’m holding, his little face as he turns toward me, is the brown face of my own grandson, my daughter’s boy, the open mouth of the sleeper, the full lips, the thick little body of a child who runs wildly from one end of the yard to the other, leaps from dangerous heights with certain experienced caution, muscling his body, his mind, for coming realities.
Of course, when my mother and sister returned from Richmond, the family at home wanted to know: How was Vic doing in school along all those gentiles? Was the long bus ride hard, was the anti-Semitism really bad or just normal? What happened on the bus? I was probably present at that supper, the attentive listener and total forgetter of information that immediately started to form me.
Then last year, my sister, casting the net of old age (through which recent experience easily slips), brought up that old story. First I was angry. How come you never told me about your bus ride with Mama? I mean, really, so many years ago.
I don’t know, she said, anyway you were only about four years old, and besides, maybe I did. I asked my brother why we’d never talked about that day. He said he thought now that it had had a great effect on him; he had tried unraveling its meaning for years—then life family work happened. So I imagine him, a youngster really, a kid from the Bronx in Virginia in 1927; why, he was a stranger there himself.
In the next couple of weeks, we continued to talk about our mother, the way she was principled, adamant, and at the same time so shy. What else could we remember…Well, I said, I have a story about those buses, too. Then I told it to them: How it happened on just such a journey, when I was still quite young, that I first knew my grandson, first held him close, but could protect him for only about twenty minutes fifty years ago.
Review: Who wrote this essay? When? For what purpose and what audience?
Questions about "Traveling," Part I:
- What happens on the bus? (Describe it as objectively as possible)
- Grace Paley writes, "My mother had heard that something like this would happen. My sister had heard of it, too. They had not lived in it." Why do you think she emphasizes the difference between hearing of something and living something?
- How do you think Paley's mother and sister feel during their moment of personal resistance? What evidence of this do you find in the story?
- The last paragraph in Part I is primarily about Grace Paley's brother who is studying in the South. What is his experience as a Jew in the South? How does he handle his experience? How is his experience similar to that of his mother and sister's experience on the bus? How is it different?
Questions about "Traveling," Part II:
- It is now fifteen years after the events that took place in Part I. What happens to Grace Paley on the bus? (Describe it as objectively as possible)
- Which action or actions on Paley's part are moments of personal resistance? Where does it begin and end? Provide evidence for your position.
- On this trip, Grace Paley is married, but doesn't have any children. What evidence is there that she identifies with the African American mother she meets on the bus? How, if at all, do you think that identification plays a part in Paley's actions? Do you think identifying with someone is an essential part of standing up for them? Why or why not?
- Consider the role of the black woman in the story. Would you characterize her behavior in this story as personal resistance as well? Why or why not? Who do you think had more to lose, the black woman or Paley? Does that matter?
Questions about "Traveling," Part III:
- This part of the story takes place more or less in the present. Paley also mentions a child in this part of the story. Why do you think she included this reference to her grandchild in her story? What do you think the grandchild represents?
- How do you think Grace Paley and her mother helped change that world?
- According to Grace Paley, how did the earlier stories shape her and her brother?
How to cite this page
Jewish Women's Archive. ""Traveling" by Grace Paley." (Viewed on September 30, 2016) <http://jwa.org/node/11790/lightbox2>.