The second (after Sarah) of the matriarchal figures in the ancestral stories of Genesis, Rebekah is one of the most prominent women—in terms of her active role and her control of events—in the Hebrew Bible. The beautifully constructed narratives in Genesis 24–27 describe how she becomes Isaac’s wife, gives birth to twin sons after initial barrenness, and finally obtains the primary place in the lineage for her younger son, Jacob, who is destined to become ancestor of all Israel.
The story of the wooing of Rebekah unfolds in Genesis 24 the longest chapter in the Book of Genesis. A spouse for Isaac is to be obtained from his uncle Nahor’s family; the ensuing cousin marriage, with Rebekah and Isaac both members of the same kinship group, serves to emphasize the importance of their lineage. Abraham dispatches a trusted but unnamed servant to Mesopotamia, the land of his birth and where some of his family still resides, to find a wife for his son. Rebekah secures her role as wife-elect for Isaac by befriending the servant and his ten camels in the famous well scene, which has been called a type-scene—a narrative episode with certain expected motifs that appears at the critical juncture in the life of a hero. Indeed, the account of Rebekah at the well is the premier biblical example of such a scene. It ostensibly draws attention to Isaac, but, in his absence, reveals the beauty and especially the virtues of his wife-to-be.
After the well incident, Rebekah brings the servant home, enters into the marriage arrangement, and sets off to meet her future husband. She seems to have some input into the marriage negotiations, or at least into the decision about her departure from her homeland and birth family. Once she arrives in the promised land, she enters Isaac’s home (called “his mother Sarah’s tent,” 24:67). There she is “loved” (24:67) by her husband, the first woman in the Hebrew Bible for whom marital love is proclaimed.
After twenty years of marriage, when Rebekah fails to become pregnant, Isaac prays to God, who grants the prayer that she may conceive. Another type-scene, that of the barren wife, thus enters the Rebekah story, calling attention to the special role of the children ultimately born to her. A divine oracle is addressed to her when she is pregnant, making her the only matriarch to receive a direct message from God (although Abraham’s slave wife Hagar also receives an oracle). YHWH proclaims that “two nations” are in her womb and will contend with each other (25:23). This oracle foreshadows the tensions that will characterize the relationship between her sons, Jacob and Esau, as figures in the Genesis narrative and as eponymous ancestors of Israel and Edom.
In the next episode in the Rebekah story, Isaac passes her off as his sister. This narrative, similar in many ways to two such accounts about Sarah, at first seems to contribute little to the role or character of Rebekah. However, it does differentiate her in a significant way from Sarah; in one of the two wife-sister episodes in which she figures, Sarah seems to have had sexual relations with Pharaoh (Gen 12:13–14, 19) to ensure the safety of her husband and their household. Rebekah’s marital fidelity, in contrast, is never compromised (Gen 26:7–11). Her relationship with her husband is consistently monogamous, unlike that of Sarah, who not only has extramarital sex, but also provides her husband with the slave wife Hagar, and of Rachel and Leah, who are co-wives and also provide slave wives to Jacob.
The final scene in which Rebekah appears is another well-known biblical episode: Isaac blesses Jacob rather than Esau, the first to emerge from the womb and thus the expected recipient of the paternal blessing. This designation of Jacob as heir to the ancestral lineage, which will mean his becoming progenitor of all Israel, is orchestrated by Rebekah. Through clever manipulation, whereby Isaac is deceived, she achieves her purpose and controls the family destiny.
Evaluating Rebekah’s role in the biblical story of pre-Israelite ancestral beginnings has evoked varying perspectives. Two millennia of Jewish and Christian biblical interpretation have focused largely on the male ancestors—the patriarchs Abraham, Isaac, and Jacob. Furthermore, virtually all scholarly studies and Bible textbooks, until very recently, designated the pre-Mosaic era as the patriarchal period, thereby providing an inherent male bias to any consideration of the family stories of Genesis. That bias rightly reflects the biblical concern with patrilineage—tracing families through the male line. Yet it obscures the fact that those family stories include strong female characters.
This is especially true in the case of Rebekah, whose position in the second generation of ancestors is actually more prominent than that of her spouse. For one thing, Rebekah is far more dynamic and proactive than Isaac, for whom no independent episode is reported. The very fact that the verb to go is used of Rebekah seven times (a number used in the Bible for emphasis) in the courtship narrative of chap. 24 highlights her active character. In addition, Rebekah’s behavior in Genesis 24 is depicted by a series of action verbs—she runs, draws water, fills jars, and rides a camel—that contribute to a sense of her individuality and vitality, in contrast to Isaac’s passivity. Also noteworthy is the way the language used in reference to Rebekah’s journey from Mesopotamia to Canaan, and in anticipation of her role as progenitor of countless offspring, echoes that found in the Abraham narratives (compare Gen 24:4, 38, 60 with Gen 12:1 and 22:17). Furthermore, Rebekah is said to have had a nurse (Gen 35:8), a highly unusual circumstance in the Hebrew Bible and one that thus signifies her unusual stature.
Finally, the long courtship account of Genesis 24, which is considered by many to be a self-contained novella, can perhaps be called a woman’s story. Rebekah’s dynamic presence in that episode may indicate its origin in women’s storytelling, as do certain other features. The term “mother’s household,” for example, appears in 24:28. That phrase is found only four times in the Hebrew Bible, all in texts that reveal women’s lives and agency. It signifies the important role of the senior woman in a family household, at least when considered from a female perspective, as does the use of the phrase “his mother Sarah’s tent” for Isaac’s home.
Because of the centrality of Rebekah, in contrast to Isaac, the ancestral sequence might more accurately be called Abraham, Rebekah, and Jacob. Indeed, when Rebekah’s favored son, Jacob, is sent to Mesopotamia to secure a spouse, he identifies himself to his future bride (and cousin) Rachel not as the son of Isaac, but rather as “Rebekah’s son” (Gen 29:12); his paternal ancestry is eclipsed by Rebekah’s lineage. This incident may signify a reality of maternal dominance, at least in the case of Rebekah, that is too powerful for the androcentric interests of biblical narrative to obscure.
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Teugels, Lieve. “‘A Strong Woman Who Can Find?’ A Study of the Characterization in Genesis 24 with Some Perspectives on the General Presentation of Isaac and Rebekah in the Genesis Narrative.” Journal for the Study of the Old Testament 63 (1994): 89–104.