Each week during JWA’s Thursday morning staff meeting, we sit around our conference room table and share “Words on the Street”—tidbits, stories, and anecdotes that we’ve heard from various places in the JWA community. This week, as Gail Reimer’s tenure as Executive Director comes to an end, we dedicate a blog post to words from our staff honoring the vision and commitment of our leader, colleague, and friend. We invite you to share your words and stories about Gail and JWA in the comments below.
Dear Kate is an underwear company that I first heard about this morning. The company’s founder is a former chemical engineer named Julie Sygiel who felt betrayed by her leaky underwear—yes, Dear Kate was created to make better period panties. The company is run by four women, and their website is full of words like “technology” “revolutionary” and “real women.” I arrived at said website because my friend sent me Dear Kate’s latest ad campaign and it really rubbed me the wrong way. All of my mixed feelings about using feminism in advertising—a trend that has rapidly gathered steam over the last few months—came to a head. This was BAD. I hated it. It pissed me off.
“This memorial garden is dedicated to her noble spirit, which celebrated the oneness of humankind, and to the bonds of everlasting friendship between black and Jewish people.”
If you had to guess who this epitaph belonged to, who would you choose? Lillian Wald? Dorothy Height?
Nearly every Jewish woman is familiar with the stereotype of the Jewish American Princess (JAP). You probably went to camp or high school or college with that girl, you know, the one who got a nose job the summer before eleventh grade, or the one who talked loudly about her tour of Europe over winter break. Even if you’re not really the jappy type, whenever you acted remotely bratty or spoiled, there it was: someone telling you to stop acting like a JAP.
Lauren Bacall was one of the first female actors who showed audiences that female confidence was incredibly attractive. Her characters didn’t need to be saved by the leading man, they could take care of themselves just fine, thanks. There’s a scene in To Have and Have Not, when the police are interrogating her and Bogart, and one of the officers slaps Bacall across the face. She hardly blinks an eye at the attack, doesn’t falter or faint, and doesn’t need someone else to defend her.
I am not going to lie, this one has hit me pretty hard. As a comedian who grew up watching Mork and Mindy and left for college the same time he yelled out “Carpe Diem,” today I am mourning the loss of a man I never knew. I just cannot seem to figure out how he knew me so very well.
In my neighborhood, Sikhs hand out free cold drinks on certain Saturdays. They do this on important days in Sikh history to raise awareness of their beliefs—the water bottles and cans of Coke are accompanied by small printed brochures detailing Sikh practices and culture.
One of my least favorite things about summer—after bugs, overcrowded parks, and face-sweat—is the serious dearth of decent TV. My TV schedule disappears, and is replaced with an array of below-average reality shows. The only thing I’ve been watching with any regularity is The Bachelorette, a show that alternately bores me, amuses me, and causes me to exclaim to no one in particular, “Oh, come ON!!!!” an average of sixteen times per episode.
After Bel Kaufman, writer and public school teacher, published Up the Down Staircase in 1965, one assistant principal at a school where she had taught began adding a warning to his memos: “DO NOT SHOW THIS TO BEL KAUFMAN.” The disclaimer is a testament to what a nerve Kaufman hit with her novel, which followed a young teacher through her first year in an urban public school and highlighted the insane bureaucracy that got in the way of actual teaching.
I have often marveled at words like culaccino, which in Italian means "The mark on a table left by a cold glass." Words like this simply can’t be replaced by the sum of their parts. The English language has a wealth of words to choose from—over a million by some estimates—to complete the perfect turn of phrase. But, alas, sometimes one million words are not enough to lovingly tell your boyfriend that he has cream cheese in the corner of his mouth.
I don’t do well in humidity. I don’t think rallies have been particularly effective since the 1970s. Still, I stood outside for two hours this Tuesday, gathered at City Hall with a couple hundred of my fellow concerned citizens. We were there to show solidarity against certain recent Supreme Court decisions.
Lupita Nyong’o is an Academy Award winning actress. She has a Master’s Degree from Yale. She speaks four languages. She is the writer, director, and producer of a documentary about Kenya’s albino population. She is also a stunning beauty, and a fashion plate. It’s that last point, that shallow observation, which I’ll write about today.
Since last year, YouTube sensation Postmodern Jukebox has been creating innovative covers of modern pop music by applying contrasting musical stylings to contemporary works—from a smooth jazz cover of the Game of Thrones theme to a 1940s swing adaptation of Madonna's “Like a Prayer.” In recent months, Postmodern Jukebox released a klezmer inspired cover of Jason Derulo's "Talk Dirty" accompanied by segments of Yiddish translation. As I watched the video accumulate over a million views on YouTube, I became interested in exploring what went into the production of this inventive and unlikely pairing.
The words are purposes.
The words are maps.
—Adrienne Rich, from Diving into the Wreck
When I think of Adrienne Rich, I think about the differences between maps and routes, between shortcuts and whole geographies. I think about the difference between following directions that lead you straight from A to B and sitting down with your Atlas of the Difficult World with no destination yet in mind. I think about trying to take in all that maps have to tell you with your heart and eyes open, about looking to learn without knowing what you will find or where this new knowledge will lead you. When I think about Adrienne Rich, I think of the different ways we learn, the different ways we come to know the world, ourselves, and vice versa.
There are many reasons I think the Supreme Court is wrong as a legal matter in Burwell v. Hobby Lobby. I think corporations are entitled to certain kinds of basic economic privileges, but I don’t think corporations are “people” under the Religious Freedom Restoration Act (RFRA) or the First Amendment.
Have you ever explained the Holocaust to someone who's never heard of it before? I have.
I don't remember a time when the Holocaust wasn't a part of my consciousness. So imagine my surprise when, sitting with co-workers in a gazebo at our school, a girl of no more than 7 years old with a luminous smile ambled by, her shirt emblazoned with a massive swastika.
In Judaism, we take the seventh day of the week to slow down. To separate between the holy and the everyday. As legendary civil rights activist and Jewish thinker Rabbi Abraham Joshua Heschel wrote in his book The Sabbath, “on the Sabbath we especially care for the seed of eternity planted in the soul.” Shabbat in Jackson was indeed a time to germinate and cultivate the ideas that have been spinning around in my head.
You might be sorry to hear it, but I do not miss home yet. Southern hospitality is REAL and amazing. Just came back from an incredible evening of Southern food, music, visiting, and art at the Mississippi Museum of Art, which has an incredible installation of Civil Rights Photographs. I got to meet Doris Derby who you should definitely know about if you don't already.
I think today might best be a day told in quotes from a few key experiences. There is so much more happening than I can fit in these few words.
Back in 2011, as newly minted high schoolers at Gann Academy in Waltham, Kineret Grant-Sasson and Mitali Desai had an idea: during the second half of freshman year, they would start holding meetings for a feminist club, welcoming students with all levels of knowledge and interest. Today, Kineret and Mitali are incoming seniors, and their club, Feminijas, is going strong. Femininjas meets Mondays at lunch for discussions about gender, power, and feminism, topics many students don’t study in earnest until well into college. Recently, they embarked on a photo project, something they’d seen online and thought would be an empowering exercise for Femininjas. The concept was simple: pass around a white dry-erase board, ask participants to write a blurb about why they need feminism, and take a picture. The results are powerful, encouraging, and thought-provoking.
When I exited the airport in Jackson I couldn't help but feel as if I was walking on hallowed ground. The air was thick and the dense grass crunched under my feet—it really feels different here. The song "Strange Fruit" played softly through my mind as we drove through the flat, open land past trees that look different enough from home to make me feel a little out of place. As you well know, I have always been fascinated by the Civil Rights Movement. I feel like this part of our history sheds light on our proudest and darkest moments as a nation. Mississippi was (and continues to be) a battle ground for testing the ideals and laws that supposedly govern the United States, and I sort of feel like I am on a pilgrimage to witness this crucial part of our history.
I remember buying Salt-n- Pepa’s album Very Necessary in 1993. I must have been nine, and along with River of Dreams by Billy Joel, it was the soundtrack of my tween life (we can discuss my eclectic music taste in another blog post). I never could have imagined that eleven years later I would be in Boston’s City Hall Plaza listening to the epic Salt, Pepa, and Spinderella spout messages of female empowerment, the value of friendships, and staying true to you.
It was a magical evening at the Phantom Gourmet Beach BBQ Party, and thanks to one of my highly connected friends, I ended up with two tickets. I grabbed a friend who enjoys meat, beer, and 90’s hip-hop as much as I did, and we ventured to the plaza.
I love my job.
About half a year ago, I was hired as the new web content editor for the Jewish Women’s Archive, helping to rework our content for the new website. A huge part of that has been writing short biographies for the thousands of women featured on the site, from pioneers of the feminist movement to literal pioneers of the Wild West. The goal is to give you a small taste of what makes each of these women extraordinary and link to other places on jwa.org and the web where you can find out more; the difficulty is trying to tell the stories of these women’s rich and varied lives in fewer than 200 words.
I struggle with my Jewishness. I always have. The world is riddled with conflict, much of which is derived from the infuriating, irreconcilable differences in fundamental religious beliefs. I was brought up in a Jewish home and a Jewish community, read Jewish stories, and absorbed Jewish values. I never felt connected to the idea of God, but all that stuff about honoring thy mother and father and being kind to thy neighbor? I was down with that! Still, I reasoned that humanity would be far better off without such divisive religious constructs, and that our religions should be relegated to history books.
When I applied to the Peace Corps in the fall of 2011, I thought I knew myself pretty well. In fact, I thought I was the person I was going to be and I just couldn't wait to share that person with the world as an ambassador from our great nation.
As it turns out, I didn't know shit. I'm a 26 year old graduate of Barnard College with a degree in Economics. Sounds okay on paper, no? Well, eighteen months into my Peace Corps service in Thailand, the only thing I know for certain is how little I know. The sheer optimism and raw idealism I arrived with did not get me very far. They did, however, prove to be active catalysts for many experiences I've had, and I feel supremely lucky for the humbling opportunity to rethink everything I thought I knew.
My first daughter made me a father (with significant help from my wife). I felt unprepared then, and still do, on occasion, even though she is now 21. For example, I am still unprepared when she calls in a funk about tomorrow's final exam (in which she ended up doing more than fine, thank you).
Our son was born six and a half years after our first daughter, and our second daughter was born six and a half minutes after him. Ask me about twins another time, or boys; this time my assignment is daughters. My daughters have taught me about dance, and fashion, and the photosynthesis cycle, and scuba diving, and inductive geometry. They have taught me that observation is not judgment, that you don't have to be a feminist to support feminism, and, distressingly, that the world is cruel to women in ways that men only know when we worry about our daughters.
How to cite this page
Jewish Women's Archive. "Blog." (Viewed on June 26, 2016) <http://jwa.org/blog>.