For Jewish American Heritage Month, we’ve scoured the Archive for a special selection of posts we are calling Moments in History. This selection includes moments ranging from 1890 to 2011, each profiling a noteworthy moment in the history of female Jewish entertainers.
While hard at work here at the Archive, I stumbled upon some interviews that ended up on the cutting room floor during production of our prizewinning documentary “Making Trouble”. Take a look at a few clips that feature fabulous Jewish women in entertainment talking about fabulous Jewish women in entertainment.
See Tovah Feldshuh speak about the ahead of her time Sophie Tucker, Alex Borstein explore Gilda Radner's beauty, Adrienne Cooper's take on Molly Picon gender roles, and Wendy Wasserstein's thoughts Jewish entertainers on and off the stage.
Each poem I write is about a person or relationship and the feelings and sensations I associate with him/her/them/it. Some explore connections with friends or family, while others dissect my relationship with God or with myself. I usually write in moments of clarity—not as a means of working through an idea or problem. Rather the poem is a record of a conclusion or discovery I have made, or perhaps poses a question for which I have decided to seek an answer.
We can be powerful women who know what we want. We should be, and we should be able to be without having to define ourselves according to antiquated parameters. Let’s set up new paradigms, and push beyond attachments to class and gender performance.
Like, oh my g-d! Like, like really…If it looks like a J.A.P. and sounds like a J.A.P., is it a J.A.P. (Jewish American Princess)?
Jill Albert was radiant. She had an unmatched presence that could be felt by anyone touched by her warm embrace. She had a way of making all of the girls in my troop feel welcome, appreciated and unique. But her brilliance extended far beyond our small group of girl scouts: she baked cookies for her garbage men and always had a bowl full of Double Bubble in her car to give anyone who may have been having a bad day. Jill encapsulated the ultimate role model.
When it comes to women’s religious expression, what is it that drives men to such distraction that they throw chairs, hurl insults, and resort to other forms of violence? Are we as women allowed to push the boundaries only so far?
On Sunday night, I went to hear Anat Hoffman—chairwoman of Women of the Wall and Executive Director of the Israel Religious Action Center, the legal and advocacy arm of the Reform Movement in Israel—speak at Brandeis University’s Hadassah-Brandeis Institute.
Sexual assault and intimate partner violence occur in the Jewish community the same as it does in the rest of the country. It is an issue swept under the rug for most Jews. We point fingers at other groups of people— rape happens in the city, in other religious communities, in communities with no religion, but certainly not us, we say!
I reach for poetry that draws out my breath when it is caught in my lungs; poetry that surprises my heart into movement, expansiveness when it is heavy and turns in upon itself; poetry that feeds the pit of empty in my stomach so that it rumbles again for fire and food.
I’ve been sitting at my desk since 3pm today, hands at ready on the keyboard, but I haven’t gotten much done. I’ve mostly been refreshing twitter, checking my email, and holding on for dear life. The Jewish Women’s Archive is located in Boston, a town that has been my home since 2000. It's hard to see your home being hurt. Especially when words like "hard" and home" are far too weak. Today Boston is under attack.
A lot has been made of Justin Bieber’s weekend visit to the Anne Frank House and Museum. The teen sensation is known for making headlines, but it’s not often (or ever) that he makes headlines here at the Jewish Women’s Archive. However, try as we might, we couldn’t ignore the Bieb’s belieber baloney.
If this week's double parshios looks at the power of words to do harm, in an era when most communication was oral and few in the community could write, what would it say of the power of words when most of the 7 billion of us now have access to a cell phone, can quickly send a text, and can forward that text to the dozens, hundreds, or thousands in our contact lists?
Sheryl Sandberg seems to be everywhere these days from the cover of Time Magazine to Jon Stewart’s “The Daily Show.” She has raised the question of balance—of how families work together to handle responsibilities—from something at the back of our minds to something we face head on each day. Agree with Sandberg or not, the question of how we “lean in” without losing our balance, is one we all face.
A few years after my grandfather passed away, my mother mentioned that for years he had refused to eat Spanish olives. I asked her why, and she said that he could trace his family history back to the expulsion of the Jews from Spain in 1492 and that this was his form of protest.
Painting the World with True Colors: An Interview with Two Jewish Women Helping to Tell an Incredible Story
In the one instant of silence between the curtain and the applause I remember feeling alive. I remember feeling like my heart had been ripped out of my chest, bounced down a basketball court, and thrown through the hoop for the winning shot. Then we (the audience) erupted in cheers. I was elated, proud, and profoundly humbled.
Although there’s nothing Jewish about her music, Carrie Brownstein is a bonafide Jewish rock star, as well as cowriter and co-star of the hit sketch comedy show “Portlandia” on IFC. In an interview on the MAKERS website, she reveals her early interest in acting, her start in rock music, and her success as an actor and comedy writer.
I remember how excited I was to discover Rosabeth Moss Kanter in the early 1980’s. She was one of the few females writing about leadership and organizational change management. I hungrily devoured The Change Masters as a relatively new nonprofit CEO navigating roiling changes in the healthcare and political landscape while learning to lead a complex organization toward continued growth.
Beate Sirota Gordon (1923-2012), feminist and Asian arts impressario, was only 22 years old when she wrote women's rights into Japan’s constitution. In her postwar career as a director of performing arts, first for the Japan Society and then the Asia Society in New York City, she introduced Americans to Asian visual and performing arts, from Japanese wood block prints to Burmese music to Vietnamese puppets.
How to cite this page
Jewish Women's Archive. "Blog." (Viewed on September 30, 2014) <http://jwa.org/blog>.