I’ve been listening to Eydie sing today, particularly a standout performance of a song from the 1966 musical Mame. I dare you to listen to her sing “If He Walked Into My Life” here and not feel the expressive pull, the regret, the heartache as she hits every dramatic emotional nuance of this difficult song. Not only is she technically right on the money, she nails it with aplomb and finish. Listen to it, and I guarantee you’ll feel what Steve Lawrence felt about her: “I fell in love with her the moment I saw her and even more the first time I heard her sing. While my personal loss is unimaginable, the world has lost one of the greatest pop vocalists of all time.”
The struggle for social justice involves going beyond what is easy, taking actions that are often risky. I find it helpful to have role models to remind me of the work that needs to be done and often is done by people of privilege. The Jewish Women's Archive website is brimming with just such role models—hundreds of examples of women who did not let their privilege positions keep them from taking courageous action. JWA gives us a look at how our foremothers reconciled the complicated relationship between privilege and activism.
Being a photographer is hard enough, and breaking down barriers of a male driven profession and world is even harder. Abigail Heyman was one photographer who did just that. Abby Heyman was a photographer with something to say, one who created work of consequence through brutally honest and personal photographs. She wove her own identity—that of a woman growing up in a culture not always meant for women—into her photographs.
I, too, was a Midwesterner transposed to New York, trying to find my own way in the rich and heady dance scene. I knew Pearl Lang had come from Chicago, where she was raised in a cultured but poor Yiddish-speaking family. Her breathtaking career as a Graham dancer meant she had toured the world. And she often performed with her own company, the Pearl Lang Dance Theater, at the famed 92nd Street Y’s theater, where I went for performances by modern dance legends and for Fred Berk’s Wednesday night Israeli folk dancing. But now I was going to Hunter to see Lang’s “Shirah,” which she created in 1960.